Fatar Numa
Fatar keyboards are well known for their excellent action, so how will the Numa stack up? Hollin Jones tickles the ivories.

Roland Fantom-G8
When Roland’s flagship workstations get a makeover, expectations are inevitably high. Hollin Jones finds out if the Fantom-G still does the business.

Yamaha KX25
We’d all like a little more hands-on control over our software, but can Yamaha’s KX25 deliver? Hollin Jones finds out.

Access Virus TI Snow
Access’ Virus synth is legendary in electronic music, and now it’s more portable than ever. Hollin Jones goes on the road with the Virus TI Snow.

CME UF80
A master keyboard with wireless MIDI capabilities and an attractive price tag? Hollin Jones checks out the UF80...

CME M-Key

Kurzweil SP2X
If you’re more of a performer than a programmer, Kurzweil may just have produced the stage piano you’ve been waiting for. Hollin Jones checks out the SP2X...

Roland SonicCell
Packing plenty of features plus performance portability is Roland’s new SonicCell. Hollin Jones hits the road...

Humanoid Sound Systems Scanned Synth Pro
When it comes to unusual synth noises, there’s a lot on offer in the VST world. Hollin Jones explores the strangest of sounds...

Novation ReMOTE 49SL Compact
Novation’s innovative AutoMap feature comes to a new range of controllers. Mike Hillier goes remote...

Korg M3
The Korg M1 had the distinction of being the world’s first workstation, so is the company’s new M3 likely to be equally distinguished? Hollin Jones finds out...

Roland V-Synth GT
FREE FULL REVIEW. Roland's V-Synth re-wrote the book on innovative sound creation, so can the company's new V-Synth GT live up to the family name? Hollin Jones finds out...

Yamaha Motif XS7
Competition in the high end of the synth market is hotting up, so has Yamaha’s new flagship Motif XS got what it takes to make it to the top? Hollin Jones finds out...

Yamaha MM6
Entry-level workstations are becoming increasingly powerful, so does Yamaha’s new MM6 have enough features to make it a worthy contender? Hollin Jones finds out...

Line 6 TonePort KB37
Line 6 has united the TonePort audio interface with a 37-note keyboard and a MIDI controller. Mike Hillier assesses the KB37.

Roland VP-550
Don’t have sufficient room to accommodate a gospel choir in your studio? Help is at hand, as Hollin Jones finds out when he stirs up the Roland VP-550...

Roland Juno-G
Its heritage is undeniably second to none, but will Roland’s latest synth live up to the high standards set by its predecessors? Hollin Jones lifts off with the Juno-G...

Native Instruments Absynth 4
Designing sound can be a tricky business, but Native Instruments’ Absynth aims to make it easier. Hollin Jones finds out what the latest version has to offer.

Novation XioSynth x25
Novation’s latest synth promises a wealth of features in a truly portable package. Hollin Jones takes to the road with the XioSynth x25...

M-Audio MidAir 25
M-Audio’s new MIDI controller brings wireless technology to the popular Oxygen8. Mike Hillier breathes in the Air...

Yamaha CP300
Yamaha was a key player in the digital piano revolution, which changed the way pianists thought about playing live. Hollin Jones meets the company’s latest model – the CP300.

Roland SH-201
Roland reinvents a modern classic and arms it with a host of new features, but can it live up to the company’s high reputation? Hollin Jones gets intimate with the SH-201...

Korg Radias
Good things do sometimes come in small packages, as Hollin Jones finds out when he test-drives Korg’s new baby, the deceptively compact Radias.

Korg X50
Korg’s new baby packs all the punch of a heavyweight sound engine in a light and portable package. Will it be a knockout? Hollin Jones gets a handle on the X50...

Alesis Fusion 8HD
The latest feature-packed workstation from Alesis promises to fulfil your every studio need. Hollin Jones gets it together with the Fusion 8HD...

Arturia Prophet V
Arturia is back with another software re-creation of a legendary vintage synth. Hollin Jones finds out what the future holds for the Prophet V...

Yamaha M08
Yamaha’s newest workstation certainly boasts a wealth of player-oriented features, but does it cover all the bases? Hollin Jones test-drives the MO8.

Applied Acoustics Systems Lounge Lizard EP-3
The latest version of AAS’ electric piano boasts a dramatically improved feature set – among other things. JoE Silva looks in.

Creamware Pro-12 ASB
Creamware’s latest Authentic Sound Box synth is modelled on a genuine classic. Hollin Jones goes retro...

Kjaerhus Audio Spectra
Spectra combines multi-stage additive and subtractive synthesis in an intuitive environment. Keith Gemmell tries it out...

Cakewalk Rapture
Cakewalk’s latest virtual synth promises cutting-edge electronic sounds, but can it deliver on that promise? Hollin Jones feels the Rapture…

Arturia Brass
Augmenting the company’s expertise in virtual analogue synthesis, Arturia takes a big leap into the world of physical modelling. Mark Cousins polishes his Brass.

Access Music Virus TI
How do you improve on a synth that’s already considered a modern classic? Hollin Jones integrates with the Virus TI...

VirSyn Cube 2
Can additive synthesis ever be a truly intuitive and rewarding experience? Mark Cousins gets to the root of Cube 2.

Way Out Ware TimewARP 2600
Without doubt a hardware classic, the ARP 2600 reappears in software form. Mike Hillier dances the TimewARP again...

Rob Papen Blue
A virtual synth that revels in both its analogue and digital sides, could Blue be the ultimate cross-fusion sound-design tool? Mark Cousins finds out.

Yamaha S90 ES
Tired of taking two keyboards on stage? Fear not, Yamaha’s S90 ES is here – and it’s going to change the way you think about playing. Hollin Jones explains why.

Creamware Minimax ASB
Creamware’s latest synth is more real than virtual and aims to faithfully re-create a much-loved classic. Hollin Jones takes it to the max...

Roland V-Synth XT
Roland’s ground-breaking V-Synth gets a radical makeover and some neat new tricks in the V-Synth XT. Hollin Jones finds out if good things really do come in small packages…

Applied Acoustics Systems String Studio VS-1
Can the latest offering from AAS string up other synths? Mike Hillier ties it down.

Mark Of The Unicorn MX4 2.0
Mark Of the Unicorn’s latest virtual instrument has a powerful and distinguished heritage. Mike Hillier takes the lead.

Native Instruments Reaktor 5
Few applications will tax your brain like Reaktor 5, but with a sound this good, can you resist its temptations? Mark Cousins puts his willpower to the test.

U & I Software MetaSynth 4
U & I Software’s much-loved Mac OS9 application finally makes the leap to OSX. JoE Silva tries his hand at painting with sound.

Cakewalk Project5 Version 2
Cakewalk’s new sequencer has a stack of new features for use on stage as well as in the studio. Hollin Jones gets to the heart of Project5…

Hartmann Neuron VS
Hartmann brings its neural synthesis from hardware into software form – but the best bits have been left intact. Hollin Jones gets stuck into the Neuron VS.....

Future Retro Revolution
If you want fat, acid sounds you might want to check out this unusual-looking synth from US manufacturer Future Retro. Hollin Jones joins the Revolution...

IK Multimedia Sonik Synth 2
With over 5,000 vintage and modern instrument sounds, Sonik Synth 2 might just might be the ultimate workstation. Keith Gemmell gives it a workout.

Dave Smith Instruments Poly Evolver
The latest bit of gear from synth designer Dave Smith promises huge soundsand total control... Hollin Jones finds out why we all need to evolve.

Roland RD-700SX
Roland’s flagship stage piano derives its compelling sounds from multi-sampled concert grands. Hollin Jones gets in on the action.

Native Instruments Absynth 3
Ever fancied writing a film score but are too lazy to use more than one finger? Absynth 3 could provide the solution. Bob Dormon tries his hand.

Arturia ARP2600 V
Another legendary synth gets a software makeover, courtesy of French company Arturia. Hollin Jones gets nostalgic with the ARP2600 V...

Applied Acoustics Systems Ultra Analog VA-1
Big analogue sounds without the cables and headaches? Hollin Jones finds out if the Ultra Analog VA-1 can deliver…

Novation X-Station 25
Novation’s latest offering is an all-in-one audio/MIDI interface and hardware synth. Hollin Jones finds out if the X-Station is too good to be true…

Clavia Nord Modular G2X
The mighty Nord Modular G2 gets a bigger brother, with more keys and more power. Hollin Jones finds out if it has the X factor…

Native Instruments Electronic Instruments 2
Is NI’s latest offering really a cutting-edge collection of instruments and effects? Mike Hillier finds out.

Zero-G Vocaloid Miriam
Modelled on the voice of professional vocalist Miriam Stockley, Zero-G claims its new Vocaloid package offers unprecedented realism. Alistair Lindsay holds an audition.

Arturia Moog Modular V 2.0
Arturia updates the classic Moog Modular V with some new modules. Hollin Jones gets retro with version 2.0...

Ultimate Sound Bank Ultra Focus Synth Anthology
Using a vast array of classic synths as its sample base, this new software instrument offers huge sonic potential – but can one synth do it all? Nigel Lord is Focussed...

VirSyn Cantor
Cantor pushes VirSyn’s existing expertise in additive synthesis into the realm of vocal synthesis. Mark Cousins stretches his vocal cords...

Native Instruments Xpress Keyboards
NI releases entry-level versions of three of its classics. Hollin Jones goes retro...

Arturia Storm 3
Budget sequencers will always lack pro features, but Arturia’s Storm 3 may have just enough to make its presence felt. Bob Dormon is your weatherman…

Roland Fantom-X8
Roland dispatches a new variant of its battleship class of audio workstations. Joe Silva discovers whether she’s seaworthy…

TC Electronic Intonator, TC Thirty, Filtroid, Virus|PowerCore
A four-piece from TC Electronics that expands PowerCore to ever greater limits. Pete Crisp puts the plug in…

Korg Electribe EA-1 mkII
Korg revamps its analogue synth sequencer with up-to-the-minute sounds and styles. Hollin Jones goes in search of the Electribe…

Korg Triton Extreme 88
Korg’s Triton gets some new toys, including a real-life valve for warming up your sound. Hollin Jones takes it to the Extreme….

Creamware SCOPE Professional
Creamware has streamlined its product line, placing SCOPE Professional at the top of its range. Hollin Jones gets to grips with the new platform…

Applied Acoustics Systems Tassman 4
You can build powerful vintage synths and invent strange acoustic instruments à la carte in Tassman 4. Keith Gemmell samples the latest menu...

Wizoo Hyper Modules
Wizoo has created three new modules to expand your Hypersonic workstation – but are they really an asset to your existing setup? Keith Gemmell gets Hyper active…

Arturia Minimoog V
The first classic, affordable Moog synthesiser is now available in software form. Ian Waugh looks at the future for Arturia’s latest creation...

Bitheadz Inc. Unity Session 3.0
As its name suggests, Unity can bring together all sorts of sampler and synthesis options. But is Mark Jenkins at one with it...?

u-he Zebra
Yet another great-sounding soft synth hits the market place. But, as Keith Gemmell asks, can Zebra outpace the competition?

Cycling 74 Pluggo 3.1.2
The latest revision to this Mac-only collection of plug-ins finally brings Audio Unit support and loads of new DSP options. Joe Silva checks out the new bits…

Elektron SFX-6 MonoMachine
It’s silver, it’s Swedish, and it’s designed like no other instrument you’ve ever seen. Mark Jenkins gets to grips with the latest synth from Elektron...

Synapse Audio Orion Platinum 5
Orion Platinum takes a rather different approach to sequencing and recording from most software DAWs – but where does its appeal lie? Hollin Jones looks to the stars…

GMedia impOSCar
GMEDIA has brought the legendary OSCar back to life and given it even more features than before. But, as Keith Gemmell asks, is it really still OSCar?

Zero-G Vocaloid Lola
Once in a while a new technology comes along with the power to change the face of modern music. Mark Jenkins is very pleased to meet Lola...

Camel Audio Cameleon 5000
Creating unique sounds doesn’t require an in-depth knowledge of synthesis. Hollin Jones looks at how the Cameleon 5000 enables you to create your own sounds using morphing...

Arturia CS-80V
Arturia does it again with a software emulation of the classic Yamaha CS-80 analogue synth. Ian Waugh goes back to his youth…

VirSyn TERA 2.0
VirSyn has given its monster modular synth a friendlier face. Pete Crisp introduces himself...

Applied Acoustics Systems Lounge Lizard EP-2
With the revised version of its virtual instrument, Applied Acoustics delves further into the cool sounds of the electric piano. Joe Silva Lounges around…

Yamaha Motif ES7
Sequencing isn’t all about computers and sophisticated software – it can be done on a workstation synth. Bob Dormon checks out Yamaha’s Motif ES7.

Roland RS-70 Synthesizer
‘Forget about MIDI and get on with playing’ is the concept behind the RS-70 – but does it take the mystery out of multi-track recording? Keith Gemmell goes loopy…

Roland Fantom-S Synthesizer
Roland has released a new version of its Fantom synth/workstation, but is it the machine to put the company back on top? Mark Jenkins looks for spirits in the material world…

LinPlug RMIV
The RMIV is a VSTi ‘drum machine’ offering analogue-style synthesis and sample playback, but can it bring down the house? Dan Duffell finds out...

Korg Electribe MX-1 Music Production Station
The first of the long-awaited additions to the Electribe range is here. But is the MX-1 Production Station a worthy flag bearer? Pete Crisp gathers the ’Tribe…

Clavia Nord Lead 2X
Like a good song, the Nord Lead has endured the test of time and continues to charm the pants off all who get to know it. Dan Duffell falls in love all over again...

Novation Bass Station
In the studio or on the road, the Mini-Me takes it all in its stride. Pete Crisp gets converted...

Dave Smith Instruments Evolver
Dave Smith Instruments is a new name – but it has an impressive pedigree. Mark Jenkins investigates its first product, the Evolver…

Native Instruments Absynth 2
It’s been two years since the first release of this semi-modular soft synth and now it’s got more features than ever. Ian Waugh sees if Absynth makes the heart grow fonder...

Creamware Noah EX Tactive Instrument Modeller 1.3
Promising digital re-creations of some of the most desirable instruments of the past few decades, Pete Crisp takes a look at one of the most eagerly awaited products of the year.

Steinberg Xphraze
“Your musical life is about to change!” claim the people behind Xphraze. Keith Gemmell delves beneath the surface of Steinberg’s latest software offering...

VirSyn Cube
VirSyn’s new ‘spectral morphing additive synthesizer’ promises user-friendly control over hundreds of sine waves – but how does it sound? Ian Waugh squares up to the CUBE...

Bob Moog Voyager Analogue Synth
Synth pioneer Bob Moog has updated his classic Minimoog analogue monosynth for the 21st century. Simon Trask finds out if Voyager has what it takes to go the distance...

Propellerhead Software Reason 2.5
Propellerhead has managed to stuff six new devices into this latest version of its flagship sequencer. Pete Crisp spends some time on a virtual rack...

Native Instruments Reaktor 4
Native Instruments gives one of its core applications a bit of a facelift as well as some added muscle. Joe Silva gauges the reaktion…

Rob Papen Albino VSTi Synthesizer
Arm a synth with presets created by a leading sound designer and factors like programmability pale into insignificance. But, as Nigel Lord discovers, there’s nothing pale about Albino…

Applied Acoustics Systems Tassman 3.0
Tassman can produce seemingly impossible instruments such as bowed marimbas and plucked trumpets. Ian Waugh ponders the patch for one-hand clapping...

VirSyn TERA Modular Synth
There’s nothing like a big modular synthesizer to bring out the experimentalist in you – but can it be done in software form? Pete Crisp experiences TERA…

Cakewalk Project5
Cakewalk jumps head first into the all-in-one softsynth studio fray with their new offering, Project5. What does it bring to the party, and how does it fare against the competition? Ben Gerrold takes a look…

Yamaha Motif-Rack
Proving that size isn't everything, Yamaha's new rackmount module offers more polyphony, more patches and more effects than its Motif keyboard counterparts, but are there also compromises? Simon Trask sizes it up…

Arturia Moog Modular V
Arturia has developed a software emulation of a legendary modular synthesizer. Ian Waugh gets in the Moog…

E-mu Vintage Pro
E-mu's latest sound module takes its cue from the seemingly unquenchable desire for old keyboard sounds. Simon Trask samples a modern vintage…