10MM 149 - Expansion
Controlling the dynamic range of a mix is one of the engineer’s most fundamental tasks, but what are the tools and techniques required to do it? Grant Bridgeman stretches out.

Controlling the dynamic range of music with compression is a typical undertaking in studios both large and small. Compression is often applied to a signal on its way into the recorder to make the best use of the available dynamic range; during mixing compressors can add punch and change the dynamic shape of a sound; and when mastering, compression can bring the whole song together and (should you desire it) have the track bouncing off the 0dB FSD marker.
This feature first appeared in Music Tech Magazine issue 73
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