10MM131 De-essing

De-essing is a quick-and-easy solution to sibilance control, but how does the technology behind this mix-saving process work? Mark Cousins minds his esses.

There are few vocalists who won’t benefit from the flattering sound of a condenser microphone placed close to their mouth, thanks to both the pleasing air lift caused by the microphone’s presence peak and the detailed representation of breath noise. However, as flattering as this sound initially appears, it does have a significant downside: the corresponding rise in so-called sibilant frequencies.

This feature first appeared in Music Tech Magazine issue 64
Filed under Home, General Features, Ten Minute Masters, Features

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