10MM99 Gain Structure
Eliminating extraneous noise is a primary task in the studio, but we may be inadvertently generating it ourselves. Grant Bridgeman explains the importance of good gain structure...

Digital recording systems running at 24-bit resolution are designed to capture truly high-quality recordings, ensuring the best possible signal-to-noise ratio and dynamic range. That said, signal noise and internal distortion are still common frustrations, often leading anxious home recordists to go on expensive – and sometimes unnecessary – spending sprees. In the majority of cases, though, it’s not the equipment that’s at fault; rather, it’s the gain structure of our recordings and mixes that needs to be reviewed.
This feature first appeared in Music Tech Magazine issue 48
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Ten Minute Masters
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See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
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MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 191 - Comb filtering |
|
MTM 95 |
10MM 192 - Analogue warmth |
MTM 94 |
10MM 190 - The Vocoder |
|
MTM 94 |
10MM 189 - Dynamic microphones |
MTM 93 |
10MM 187 - Audio signal levels explained |

















