Alternative synthesis
Forms of synthesis other than analogue have become more widespread as computer technology has progressed. Ian Waugh examines a few alternatives that you might want to get your teeth into.
Analogue synthesis is by far the most common form of synthesis, in both hard and soft synths, and we discussed it in detail in Issue 5. However, there are several other types of synthesis that are now becoming more widely available, mainly because of advances in computer technology. The main difference between analogue synthesis and alternative forms is in the way the initial sound is produced (although some types of synthesis have other distinguishing features, too). In this Ten Minute Master we’re going to look at some of the more common alternative forms of synthesis that you might come across.
This feature first appeared in Music Tech Magazine issue 06
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See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
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MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 191 - Comb filtering |
|
MTM 95 |
10MM 192 - Analogue warmth |
MTM 94 |
10MM 189 - Dynamic microphones |
|
MTM 94 |
10MM 190 - The Vocoder |
MTM 93 |
10MM 188 - Tape echo |
















