Composing Music For TV

TV music is a vibrant and exciting way for musicians to make money from their art. Mark Cousins gives us the low-down on producing music for the small screen...

For composers and musicians, one of the biggest benefits of the explosion in digital media has been the increased need for music. Take television, for example: when once the airwaves were dominated by just three or four terrestrial broadcasters, we now have access to hundreds of digital channels, all screaming out for unique and original music to make their programming stand out from the crowd. Put simply, there’s never been a better time to make music for TV. Even for mainstream artists, the revenue from advertising and TV background music has become just as lucrative, and as vital to the success of their records as the traditional medium of singles sales.

This feature first appeared in Music Tech Magazine issue 39
Filed under General Features

/mtm/features/composing-music-for-tv

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 86	Studio Answers 86 Whether you’re a seasoned pro or a newcomer to the world of music technology, MTM’s experts are always on hand to help you make the most of the experience…	MTM 86	Setting Up A Studio From Scratch - Part 3 You’ve set up your studio, but now you want to expand and upgrade it as your skills improve. Hollin Jones explains how to go about it.
MTM 86	Production In The Mix Quality music often inspires us to write our own, but how can careful listening to other people’s tracks help us through that process? Liam O’Mullane explains.	MTM 86	Mastering Production You may have read about all kinds of recording and production tricks, but how do they all fit together? Hollin Jones explains track building from start to finish.
MTM 88	Zero-G Vocal Factory	MTM 85	Studio Answers 85 Whether you’re a seasoned pro or a newcomer to the world of music technology, MTM’s experts are always on hand to help you make the most of the experience…
MTM 85	Ableton Live 8 Workshop - Building Construction Kits Sampling and loops are big business. Here, Hollin Jones shows you how a copy of Live and a little imagination can help you get a slice of the pie...	MTM 85	Pro Tools 8 - The Arrange Window Learn to use the Arrange window in Pro Tools properly and you’ll find your workflow speeding up considerably. Mike Hillier shares some pro wisdom.

Sign in to download this article

New users, please register here

See also...

Menu