Cubase 4.1 Workshop - Grouping Channels - Features

Mixing can be a daunting process if you’re working with high track counts, but grouping channels together can simplify things. Hollin Jones gets it all together.

When you’re working on larger projects – recording a band, for example – you can sometimes find that the number of audio tracks the job necessitates becomes fairly high. It’s no coincidence that the kinds of desks you see in professional studios tend to have at least 24 channels (frequently 48 or more) because even recording a drum kit can require up to six or eight channels. Factor in guitars, bass, keyboards, vocals, samples, percussion and brass and you’re already looking at quite a high track count. Another example scenario involving high track counts is when you’re composing mostly ‘in the box’, perhaps scoring for film or TV. Such a task commonly requires separate audio tracks for the different scenes of the show, enabling you to compose the whole soundtrack – or large chunks of it – in a single project along to the video.

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This feature first appeared in Music Tech Magazine issue 72
Filed under Software Workshops, Cubase Tutorials, Features

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Cubase 4.1 Workshop - Grouping Channels

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