Cubase 4.5 Workshop - Working with loops (part 2) - Features

Your loops are the right pitch and length, but how should you manage their groove, swing and feel? Hollin Jones shows you how to take control.

Part 1 of this Workshop looked at how you can take regular audio samples and loops and manipulate their pitch and duration to make them fit to any project you may be working on in Cubase. We also explored the idea of using fades to deal with clicks and clipping that can occur when a sample is looped and repeated. In this second part, we’ll explore ways in which you can quantize, warp and slice your audio loops so that they are not only in time with a project’s tempo, but also have the right groove, swing and feel. A loop that’s in time but has the wrong feel can often be of little use, as it may clash with the other parts of a track and ruin the overall sense of timing. It’s a consideration that’s more musical than technical, unlike the fairly clinical business of making sure a loop is of the right length.

This feature first appeared in Music Tech Magazine issue 76
Filed under General Features, Software Workshops, Cubase Tutorials, Features

/mtm/features/cubase-4-5-workshop-working-with-loops-part-2-

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 103	Harness the power of additive synthesis Additive synthesis hasn’t gained the popularity enjoyed by other forms, but behind its apparent simplicity lies a whole world of innovative sound design. Robert Alan adds it all up.	MTM 103	Bob Katz Interviewed As an engineer, audiophile, developer and educator, Bob Katz’ contribution to the audio world we know today can not be underestimated. MTM finds out more...
MTM 103	Drum Production Masterclass The drum parts of a track are a minefield of potential errors, which will ultimately affect the power and quality of your mixes. Liam O’Mullane offers up tips and tricks for making successful drum tracks each and every time – while not stifling your	MTM 102	Orchestrating with Sampled Strings Modern string libraries have ushered in astonishing levels of realism for computer-based orchestration. Mark Cousins unlocks the secrets of the virtual string section.
MTM 102	Interview Guy Massey With ten years at Abbey Road Studios and MPG Recording Engineer of the Year 2011 under his belt, Guy Massey has an enviable career. MTM learns more...	MTM 101	Interview: Trevor Horn A pioneering producer of the 80s, Trevor Horn takes a moment to talk to MTM about the journey from analogue to digital in this magical era for production.
MTM 101	New vs Vintage Preamps Sound engineers can get obsessive about classic mics, so it’s no surprise they can get pretty geeky about classic mic preamps, too. But what is it that made those early designs so enduring? Huw Price has previous...	MTM 95	Interview: Paul Epworth This award-winning producer has helped everyone from Kate Nash to Florence & The Machine achieve radio and chart success.

Cubase 4.5 Workshop - Working with loops (part 2)

Sign in to download this article

New users, please register here

See also...

Menu