Cubase 5 Workshop - Using AudioWarp
Once, the warping and timestretching of audio was a job for specialist software; now it can all be done within your DAW. Tim Hallas looks at AudioWarp in Cubase.

Back in the dim and distant past when I was beginning my life as a music technologist, there were two types of file you could record onto a computer: MIDI – which you could alter after you’d recorded it – and audio – which you couldn’t. But with the advent of technology initially found in Propellerhead’s Reason and Sony’s ACID, musicians suddenly found themselves being able to significantly alter the way audio files could be edited. No longer just chopping them up and adding effects, time could be stretched and contracted without getting the trademark chipmunk effect.
This feature first appeared in Music Tech Magazine issue 86
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