Cubase SX/SL3 Workshop Audio Record Modes
If you want to record several takes in one go, you don’t have to create separate tracks for each one. Hollin Jones keeps his track count low...

From the earliest drum machines to the first software packages such as Notator and Cubase, the primary purpose of the sequencer has always been to record and play back control information of some kind. Early analogue sequencers employed a control voltage/trigger interface to control electronic instruments, but these were eventually superseded by digital hardware- or software-based MIDI sequencers that used MIDI information to play back external modules. Later still came the ability to record digital audio, putting software and computers in direct competition with tape machines and hard disk recorders.
This feature first appeared in Music Tech Magazine issue 41
Filed under
Software Workshops,
Cubase Tutorials
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See also...
MTM 63 |
Ableton Live 7 Workshop |
MTM 62 |
Logic Pro 8 Workshop - Compressor |
|
MTM 62 |
Cubase 4 Workshop - Built-in Instruments |
MTM 62 |
Jupiter-8V Workshop - Galaxy Modulator |
|
MTM 62 |
Reason 4 Workshop - Creative ReDrum |
MTM 62 |
Ableton Live 7 Workshop - Beat Slicing |
|
MTM 59 |
Cubase 4.1 Workshop: Using the Sample Editor |
MTM 59 |
Logic Pro 8 Workshop: Audio editing |















