EQ
Confused about what shelves, notches and band-pass filters actually are? Well, they’re all part of the process of Equalisation. Ian Waugh charts the peaks and troughs of EQ.
Without any doubt, EQ is the most used – and abused – of all studio effects and it’s an essential part of virtually all types of synthesis. That’s because it works on a very important element of sound – the tone. In fact, at its simplest, all EQ does is cut and boost certain frequencies of sound. Think of a hi-fi’s treble and bass controls – they’re basic EQ controls. But, of course, technology has made EQ rather more sophisticated than that…
This feature first appeared in Music Tech Magazine issue 03
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Ten Minute Masters
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See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
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MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 191 - Comb filtering |
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MTM 95 |
10MM 192 - Analogue warmth |
MTM 94 |
10MM 190 - The Vocoder |
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MTM 94 |
10MM 189 - Dynamic microphones |
MTM 93 |
10MM 187 - Audio signal levels explained |


















