Fades & crossfades
Fades and crossfades are an essential part of audio editing. Ian Waugh explains how to cross your fades when you come to them…
There’s more to a good fade than meets the eye (…or ear). Fades are used at both the macro (recording) and micro (sample) level. Creating fades and crossfades, at both the recording and sample levels, requires a little application. It’s a creative part of audio editing, and a technical understanding of the process will help you do a better job. We’ll look at the considerations involved when working at both these levels in this feature. But first, let’s get some terminology out of the way…
This feature first appeared in Music Tech Magazine issue 04
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Ten Minute Masters
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See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
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MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 191 - Comb filtering |
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MTM 95 |
10MM 192 - Analogue warmth |
MTM 94 |
10MM 190 - The Vocoder |
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MTM 94 |
10MM 189 - Dynamic microphones |
MTM 93 |
10MM 187 - Audio signal levels explained |


















