Feature - Improve your recording environment
We've recently covered the acoustic issues that concern control room monitoring, but are things any different for recording rooms? Huw Price investigates live and dead rooms, the creative use of room acoustics and old-school tricks with gobos...

Serious recordists tend to obsess about stuff. We’ll pick over the minutiae of a classic drum sound, a landmark guitar tone or a particularly fine vocal recording. We may search online to discover which microphones, preamps or compressors were used for a particular recording, or even get totally hung up on cables or electronic components. Checking out recording forums, it’s not uncommon to find contributors squabbling over all manner of technical inconsequentialities.
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This feature first appeared in Music Tech Magazine issue 96
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