Filters
Filters are hugely powerful sound design tools and essential to the process of subtractive synthesis. Mark Cousins explores the principles of filtering.
Ask any synthesist where the true character and muscle of any synthesizer lies and there will only ever be one answer – its filters. All the great synthesizers of our time (the Minimoogs, Prophets and TB-303’s of this world) can attribute a large part of their success to the characteristic sound of their filters. Ultimately the sound of electronic music is the sound of the filter ripping, screeching, roaring, murmuring or growling its way through the audio spectrum.
This feature first appeared in Music Tech Magazine issue 11
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Ten Minute Masters
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See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
|
MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 191 - Comb filtering |
|
MTM 95 |
10MM 192 - Analogue warmth |
MTM 94 |
10MM 189 - Dynamic microphones |
|
MTM 94 |
10MM 190 - The Vocoder |
MTM 93 |
10MM 188 - Tape echo |
















