Welcome guest. Click here to log in or register

HomeSubscribeFeaturesReviewsStudio NetForumMagazineFocusStore

 

The magazine for producers, engineers & recording musicians | 21 May 2012


SubscribeBuy issueMore infoBack issues
Advertisement

FireWire

Its use became widespread with the rise of Digital Video, now it’s threatening to take over the music protocol arena, too. Ian Waugh takes a close look at FireWire.

It’s all about the need for speed. As computer technology has developed we’ve seen a startling array of communications protocols (not to mention acronyms) – IDE, EIDE, ISA, PCI, AGP ADB, SCSI, USB and so on. Some have specialist uses – AGP for graphics cards and IDE for hard disks, for example – while others, such as SCSI and USB, are designed for a range of devices – from hard disks and scanners to mice and keyboards.

This feature first appeared in Music Tech Magazine issue 04
Filed under Ten Minute Masters

 

Sign in to download this article

/mtm/features/firewire

  

Click here if you don't know your password

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:
 
Account settings
*Email address:
Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
Choose a password between 7 and 100 characters in length, without spaces.
Remember me on this computer
 
Your address and contact info
Address 1:
 
Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:
   
 

By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

 

See also...

Ten Minute Master: Audio Metering
MTM 100

Ten Minute Master: Audio Metering
From FFT spectrum analysis to stereo vectorscopes, the way that we visualise audio is crucial to successful recording. Mark Cousins watches his meters.

  10MM 194 - Sampled string articulations
MTM 96

10MM 194 - Sampled string articulations
Sampled string libraries generally offer a good range of articulations, but what exactly are the differences between them? Mark Cousins has the lowdown.

10MM 193 - Notch filtering
MTM 96

10MM 193 - Notch filtering
The notch filter is an important part of the arsenal of EQ and filtering tools, but it often goes under-used. Grant Bridgeman filters out the details.

  10MM 191 - Comb filtering
MTM 95

10MM 191 - Comb filtering
Comb filtering is a natural phenomenon that affects everything we hear – whether applied deliberately or not. Grant Bridgeman explains all.

10MM 192 - Analogue warmth
MTM 95

10MM 192 - Analogue warmth
In this digital age, the relative warmth of analogue recording technology seems to have increasing appeal. Mark Cousins turns up the heat.

  10MM 189 - Dynamic microphones
MTM 94

10MM 189 - Dynamic microphones
Dynamic microphones are a standard choice for both studio work and live performance. Grant Bridgeman finds out what makes them so... dynamic.

10MM 190 - The Vocoder
MTM 94

10MM 190 - The Vocoder
From Mr Blue Sky to the voice of the Cylons, the vocoder has delivered some intriguing and unusual sounds. Mark Cousins takes a listen.

  10MM 188 - Tape echo
MTM 93

10MM 188 - Tape echo
Tape echo remains one of the most distinctive and popular lo-fi effects, used to great effect both on stage and in the studio. Mark Cousins gets dirty...

 


Advertisement

Logic training Courses Online