Fresh Grooves

Maintaining your audience’s interest is much easier if your beats don’t become monotonous or dull. Ken Hikaru keeps it different...

Keeping your grooves sounding fresh and original when you’re mixing clips and loops together for a live performance can often present something of a challenge. A looped drum sample played over and over again will soon start to sound stale – even if you have a large collection of loops to play with – so to prevent boredom setting in it’s necessary to introduce some variation to the rhythm.

This feature first appeared in Music Tech Magazine issue 44
Filed under General Features, Software Workshops, Ableton Live Tutorials

/mtm/features/fresh-grooves

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 103	Harness the power of additive synthesis Additive synthesis hasn’t gained the popularity enjoyed by other forms, but behind its apparent simplicity lies a whole world of innovative sound design. Robert Alan adds it all up.	MTM 103	Bob Katz Interviewed As an engineer, audiophile, developer and educator, Bob Katz’ contribution to the audio world we know today can not be underestimated. MTM finds out more...
MTM 103	Drum Production Masterclass The drum parts of a track are a minefield of potential errors, which will ultimately affect the power and quality of your mixes. Liam O’Mullane offers up tips and tricks for making successful drum tracks each and every time – while not stifling your	MTM 102	Interview Guy Massey With ten years at Abbey Road Studios and MPG Recording Engineer of the Year 2011 under his belt, Guy Massey has an enviable career. MTM learns more...
MTM 101	New vs Vintage Preamps Sound engineers can get obsessive about classic mics, so it’s no surprise they can get pretty geeky about classic mic preamps, too. But what is it that made those early designs so enduring? Huw Price has previous...	MTM 95	Interview: Paul Epworth This award-winning producer has helped everyone from Kate Nash to Florence & The Machine achieve radio and chart success.
MTM 95	Mobile Recording & Using Found Sounds Mobile recording is now more accessible than ever and it’s a great way to enhance your tracks – you can even create entire productions based on found sounds. Hollin Jones gets on the move.	MTM 95	Pocket Production From smartphones to hand-held games consoles, there are lots of ways to make music while on the move. Liam O’Mullane takes a look at the current options.

Sign in to download this article

New users, please register here

See also...

Menu