Making harmony work
Adding harmony lines to a song can greatly enhance its presence and punch, but can leave a track sounding cluttered if used inappropriately. Dave Gale keeps it simple.
As incongruous as it may seem, we’re going to juxtapose the works of two very different composers: JS Bach and the collective efforts of Kraftwerk’s Florian Schneider and Ralf Hütter. You may be forgiven for wondering exactly what we are seeking to achieve by doing this, but when studied together purely in a musical context, you notice both startling similarities as well as striking differences in their work.
This feature first appeared in Music Tech Magazine issue 29
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Ten Minute Masters
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See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
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MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 192 - Analogue warmth |
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MTM 95 |
10MM 191 - Comb filtering |
MTM 94 |
10MM 190 - The Vocoder |
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MTM 94 |
10MM 189 - Dynamic microphones |
MTM 93 |
10MM 188 - Tape echo |


















