Plug-in Power
Plug-ins are vital tools for recording and mixing, but are you making the most of the ones you have? Mark Cousins gets effected...

There’s no doubt about it: plug-ins have become one of the most desirable and essential aspects of recording in the software environment. When once a studio was confined by the physical and economic restrictions of its outboard processing rack (having just two ‘good’ compressors, for example, or a single reverb), we can all now insert any number of virtual processors – limited only by CPU resources – into our mixes. Equally, over the last five or so years both the quality and diversity of plug-ins has grown exponentially, so audiophile results are no longer the preserve of expensive TDM Pro Tools systems and even the most basic desktop PC can access several different kinds of compressor or equalizer alongside reverbs gathered from a myriad of real acoustic spaces.
This feature first appeared in Music Tech Magazine issue 51
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