Prodigy Reignited

Prodigy’s latest release coincides with a rejuvenation of the band’s passion for creating hard-hitting music. Mark Cousins catches up with their musical driving force – Liam Howlett.

Fifteen years in the music business is a long time for any band, but for those working in the field of electronic music, longevity is a quality in even shorter supply. But then Prodigy – and their musical driving force Liam Howlett – aren’t exactly like any other run-of-the-mill dance or electronica outfit. Whereas other bands from the 90s rave scene failed to survive for more than a couple of singles – let alone an album – Prodigy’s love of the Sex Pistols, alongside a need to push musical extremes, has led to them developing significantly further than their first hit, Charly, would ever have suggested.

This feature first appeared in Music Tech Magazine issue 32
Filed under Interviews

/mtm/features/prodigy-reignited

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 33	Making It Better Franz Ferdinand were determined that their second release would sound even better than their first, so they hired Rich Costey to produce it. Here he reveals to Petra Jones the techniques he used to realise their ambitions.	MTM 31	Streets Ahead Kaiser Chiefs producer Stephen Street has a unique and organic approach to making hit records. Phil Ward tracks him down.
MTM 30	Diamonds from coal Kieran Hebden is further proof that hit LPs aren’t always made in top studios. Mark Cousins discovers how the Four Tet sound is crafted.	MTM 29	Evolutionary Logic The signature sound that is Goldfrapp isn’t crafted with state-of-the-art equipment in big-bucks studios, as JoE Silva finds out.
MTM 28	Tears And A Happy Ending After the studio excesses of the 80s, Tears For Fears chose a more intimate recording experience for their new album. Phil Ward reports.	MTM 27	A Cut Above Last year’s biggest-selling album was born in a modest project studio in a New York apartment. Scissor Sister’s Babydaddy tells us how.
MTM 26	Lemon Jelly Interview ’64-’95 reveals a new, sharper taste to the Lemon Jelly sound. We talk to Nick Franglen about the secrets of the Jelly machine.

Sign in to download this article

New users, please register here

See also...

Menu