Recording Acoustic Music

As the folk act Show Of Hands proves, not having access to the latest gear isn’t an obstacle to success. Mark Brend talks to SOH’s Phil Beer.

It’s easy to assume that the home recording boom, fuelled by the shrinking cost and size of equipment over the past 15 years or so, has given most benefit to musicians making – broadly speaking – electronic music. It’s the dance producer or the soundtrack composer that we imagine has been liberated from the need to shell out for studio time. It’s them that we see investing in computer-based recording systems, augmented by an ever-growing arsenal of software instruments and outboard hardware gear. But that’s not the whole story. Many other niche musical genres have been bringing it all back home, too.

This feature first appeared in Music Tech Magazine issue 54
Filed under General Features

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