Welcome guest. Click here to log in or register

HomeSubscribeFeaturesReviewsStudio NetForumMagazineFocusStore

 

The magazine for producers, engineers & recording musicians | 05 July 2009


Advertisement
SubscribeBuy issueMore infoBack issues
Advertisement
Advertisement

Recording Guitar. Part 1: System setup and mic'ing techniques

Tracking a great guitar sound is a common challenge for recording musicians. In this first part of his comprehensive guide, Mike Hillier explains how to make better recordings.


Getting down great guitar tracks is one of the most common challenges that recording musicians face. But armed with just a little more knowledge and a few well-chosen pieces of kit, you can easily take the quality of your recordings from lo-fi demos to beautifully crafted mixes.

This feature first appeared in Music Tech Magazine issue 38
Filed under General Features, Guitar Tech

 

Sign in to download this article

/mtm/features/recording-guitar-part-1-system-setup-and-mic-ing-techniques

  

Click here if you don't know your password

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:
 
Account settings
*Email address:
Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
Choose a password between 7 and 100 characters in length, without spaces.
Remember me on this computer
 
Your address and contact info
Address 1:
 
Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:
   
 

By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

 

See also...

Choosing a Computer
MTM 72

Choosing a Computer
Before splashing out on a new computer, be clear about what you need it to do and whether what’s inside it is up to that task. Hollin Jones goes inside the box.

  Music to Picture
MTM 72

Music to Picture
Writing music to picture presents a number of creative and technical challenges, but in today’s studio these aren’t insurmountable. Mark Cousins shows you how.

Sonar 7 Workshop - Mastering
MTM 71

Sonar 7 Workshop - Mastering
Mastering gives your tracks that final punch and polish – and Sonar is more than up to the challenges of the task. Brian Smithers helps you master the process.

  Studio Answers 71
MTM 71

Studio Answers 71
Get in touch with MTM’s experts to have your technical woes sorted – and bag yourself a free samples pack with every question published.

10MM146 - Room Correction
MTM 71

10MM146 - Room Correction
Why struggle with egg boxes and bass traps when there’s another way to address acoustic issues? Mark Cousins stands corrected.

  Recording Vocals
MTM 71

Recording Vocals
Although it’s a crucial part of recording music, many otherwise successful productions suffer from badly tracked vocals. Hollin Jones explains how a few simple techniques can improve the quality of your tracks.

Live Recording
MTM 71

Live Recording
With live music growing in popularity, more and more bands and artists need their shows recorded. From basic to top-end techniques, Hollin Jones shows you how it’s done.

  Cubase 4.1 Workshop - Fades and Crossfades
MTM 69

Cubase 4.1 Workshop - Fades and Crossfades
If you’re experiencing clicks or glitches in your tracks, Cubase’s flexible fade functionality may hold the solution. Hollin Jones takes control.

 


Advertisement