Recording live sound
Whether you’re planning to capture the sound of a band or a chamber orchestra, recording live performances is a discipline in its own right. Xander Snell explores the options.
Live performances are recorded for many different reasons – a band may simply want a record of a gig for later analysis, or the particular location or event at which a performance takes place is so intrinsic to the sound required that the recording must be made at a certain place and time. In any case, the planned use of the recording, along with the available equipment and budget will dictate which techniques will be used. There are a few different methods – some require only limited equipment and short preparation time, while others will need to be set up, configured and sound checked separately from the live sound rig. Each method has its own pros and cons and the plan here is to guide you through some of the available options.
This feature first appeared in Music Tech Magazine issue 14
Filed under
General Features
Sign in to download this article
New users, please register here
See also...
MTM 107 |
25 Tips for Mix Processing |
MTM 107 |
Control for Live Performance |
|
|
Music Tech Focus - Synthesis 2012 |
MTM 106 |
25 Pro Tips for Kick-starting Composition |
||
MTM 106 |
Contemporary Mastering |
MTM 105 |
Re-creating the Sound of Old-skool Dance |
|
MTM 105 |
25 Tips for Live Sound |
MTM 105 |
Mixing Tips from the Industry Pros |


















