Reverb and echo
Reverb and echo are two of the most essential core studio effects. Ian Waugh looks at why their popularity goes on and on and on and…
Reverb and echo were arguably the first audio effects man ever discovered, as he grunted in his cave and shouted across a canyon. And the acoustic enhancement of singing and playing instruments in large rooms was well known to the architects who designed theatres, auditoriums and cathedrals. Indeed, the only way for early recording engineers to create reverb was to record in a large room known as a ‘live room’, but this was costly and inflexible. The earliest artificial reverb devices were large springs and plates, but affordable digital reverb units and delay lines began to appear in the 1980s, followed by software reverb effects in the last few years.
This feature first appeared in Music Tech Magazine issue 09
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Ten Minute Masters
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See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
|
MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 192 - Analogue warmth |
|
MTM 95 |
10MM 191 - Comb filtering |
MTM 94 |
10MM 190 - The Vocoder |
|
MTM 94 |
10MM 189 - Dynamic microphones |
MTM 93 |
10MM 188 - Tape echo |


















