Room Modes

The size and shape of a room will have a profound effect on how your ears perceive music – both while listening and mixing. Grant Bridgeman explores the influence of room modes.

Any room in which we listen to music has its own characteristics that can shape and colour what we hear. From concert venues through project studios to home cinema setups, the environment itself can drastically alter the sound we perceive when compared to the sound at source – and in the studio environment we need to be sure that we are mixing the music we are making, not shaping the mix to suit the room that we are in.

This feature first appeared in Music Tech Magazine issue 36
Filed under Ten Minute Masters

/mtm/features/room-modes

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 80	10MM 164 - Low-frequency Oscillators The low-frequency oscillator is one of the most important modulation sources available. Mark Cousins takes the low road.	MTM 80	10MM 163 - Radio Mic Frequencies Radio mics are increasingly used at live events, so ‘containing’ the radio waves is crucial. Grant Bridgeman tunes in.
MTM 79	10MM 162 - Resynthesis Resynthesis is one of the most intriguing concepts now becoming more readily accessible to the contemporary sound designer. Mark Cousins explains its finer details.	MTM 79	10MM 161 - Microphone Maintenance Keeping check on the condition of your microphones is time well invested. Grant Bridgeman cleans up.
MTM 78	10MM 160 - Amplifier Modelling Advances in amplifier modelling technology have redefined the way we record and produce music with the electric guitar. Mark Cousins explores its evolution.	MTM 78	10MM 159 - Soundproofing Soundproofing is not just about appeasing the neighbours – it can improve your recordings, too. Grant Bridgeman goes in search of the quiet life.
MTM 77	10MM 158 - Pitch manipulation Sloppy, out-of-tune performances are a thing of the past: modern pitch-shifting technology can put them right in the studio. Mark Cousins gets manipulative.	MTM 77	10MM 157 - The theory & application of ring modulation Ring modulation is one of the most aggressive and distinctive sounding treatments on offer. Grant Bridgeman explains why.

Sign in to download this article

New users, please register here

See also...

Menu