Sample Mapping

From round robins to release triggers, modern sampling is all about mapping and triggering sample data. Mark Cousins gets a slice of the action...

Just ten or so years ago (when the chances of finding a sampler with more than 8MB of RAM, let alone 32MB, was pretty slim) the art of sampling was a quite a different beast from what it is now. Back then the real skill of sampling was one of compromise – trying to squeeze the bare bones of an instrument into what was, on the face of it, a pitiful amount of RAM. Multiple articulations, playing styles, even some form of velocity switching were all way off the map, and all the samplists had at their disposal was a collection of crude amplifiers and filters to somehow re-create the expressive qualities of a real instrument.

This feature first appeared in Music Tech Magazine issue 41
Filed under General Features, Ten Minute Masters

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