Sampling Success
Today's software samplers are capable of far more than many recording musicians realise. Mark Cousins gets creative...

Back in the pioneering days of sampling, when a sampler cost thousands of pounds and came with little more than 1MB of sampling memory, musicians would use and abuse every last ounce of the instrument’s potential to create music with it. Nowadays, however, it would be fair to say that few of us demonstrate anywhere near the same degree of creative ingenuity, often preferring to turn to another collection of samples rather than get our hands dirty in the depths of the sampler’s programming architecture. But have you ever wondered just how much sonic
potential really lies under your sampler’s bonnet, and how, with a little imagination, you can achieve new levels of individuality with the samples that already reside on your hard drive?
This feature first appeared in Music Tech Magazine issue 54
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