Sound studio treatments

Probably the main factor separating your studio from a professional facility, is its acoustics. Huw Price explains why acoustic treatment is so important, what problems you studio is likely to suffer from and how the latest products can quickly trans

OK, so you’ve got all the gear – a state-of-the art hard disc recording system, a bunch of plug-ins, a couple of good microphones and some killer monitors. In fact, there’s not that much difference between your project studio and a commercial facility these days, so why is it that your mixes never sound the same as the stuff on the radio? Could it be a lack of talent? Do you need better monitors? What exactly is the problem? The chances are that you’re struggling because your room sounds awful, and essentially that’s all that sets your well-equipped project studio apart from a good commercial facility. Until fairly recently, most home studios consisted of a 4-track portable studio plugged into a hi-fi with a Shure SM58 on hand, and nobody seriously entertained the idea that you could make commercial-quality music at home. Musicians used home studios for song writing and rough demos, but you had to book a ‘proper’ studio to make a decent demo.

This feature first appeared in Music Tech Magazine issue 18
Filed under General Features

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