Spectral Gate

Processing in the spectral domain can lead you to a whole new range of sounds and treatments. Mark Cousins finds out what’s possible with Spectral Gate.

Logic is packed with many weird and wonderful plug-ins, but none is as utterly perplexing and intriguing as the aptly named Spectral Gate. Is it some kind of advanced processor for cleaning up drum sounds, a means of creating space-age sound effects, or simply a super-charged filter? In truth, Spectral Gate belongs to a group of plug-ins (which includes Native Instruments’ Spektral Delay and iZotope’s Spectron) that process sound in the spectral domain – in other words, splitting sound into thousands of separate frequency bands and applying different processes to minute groups of frequencies. Spectral Gate might not be for the faint-hearted, but it is a fascinating insight into an entirely different way of processing sound.

This feature first appeared in Music Tech Magazine issue 44
Filed under Software Workshops, Logic Tutorials

/mtm/features/spectral-gate

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 63	Ableton Live 7 Workshop Knowing how Live handles its Defaults presets can both speed up your workflow and fire your creativity. Jon Margulies shows you around.	MTM 62	Logic Pro 8 Workshop - Compressor Logic’s Compressor plug-in is a valuable asset for all kinds of mixing tasks, especially now that several new features have been introduced. Mark Cousins makes the squash...
MTM 62	Cubase 4 Workshop - Built-in Instruments You may have overlooked them, but the latest version of Cubase ships with some seriously useful sound-generating machines. Hollin Jones dives in...	MTM 62	Jupiter-8V Workshop - Galaxy Modulator The Jupiter-8V re-creates the original 80s classic to near perfection, but a closer look under the hood reveals a whole world of new possibilities, too. Mo Volans goes cosmic...
MTM 62	Reason 4 Workshop - Creative ReDrum If you want to create your own beats but you’re struggling to find inspiration, Reason’s ReDrum module could save the day. Hollin Jones explains all...	MTM 62	Ableton Live 7 Workshop - Beat Slicing An endless variety of effects and sounds are at your fingertips if you can exploit the considerable power of Live’s beat-slicing tools. Jon Margulies shows you how...
MTM 59	Cubase 4.1 Workshop: Using the Sample Editor Redesigned for more logical, efficient workflow, the Sample editor is a vital aspect of editing audio in Cubase 4.1. Hollin Jones finds out what it has to offer...	MTM 59	Logic Pro 8 Workshop: Audio editing Quick Swipe Comping and Take Folders have revolutionised sound editing in Logic, offering significant improvements to productivity. Mark Cousins gets his scissors out...

Sign in to download this article

New users, please register here

See also...

Menu