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The early days of synthesis were responsible for many of the sounds we still prize today – despite some limitations. Mike Willox goes back in time.

The odd collision between the music of Johann Sebastian Bach and the Moog Modular (which culminated in the album Switched-On Bach by the then, Walter – now Wendy – Carlos) caused a certain Alan R Pearlman to think about how to inspire a generation of music students in the US with the new sound of synthesis, rapidly becoming widely available during the early 1970s. He wanted to design and market a synthesizer that clearly demonstrated the architecture of the new electronic synthesis utilised by the likes of the radical Moog Modular system, but in a way that gave the student instant results and the option to gradually explore the more complex depths of subtractive synthesis.

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This feature first appeared in Music Tech Magazine issue 94
Filed under Home, General Features, Features

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