Synchronisation
When used together, devices like audio recorders, video decks and sequencers must run at exactly the same time and tempo. Keith Gemmell unravels the mysteries of timecode.
Are you one of the increasing numbers of computer-based musicians who are chasing the sound-to-picture market? If so, sooner or later you’ll find yourself confronting the seemingly complicated issue of synchronisation and all the bewildering acronyms that go with the subject – LTC, VITC, MTC and all the rest.
This feature first appeared in Music Tech Magazine issue 15
Filed under
Ten Minute Masters
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See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
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MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 192 - Analogue warmth |
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MTM 95 |
10MM 191 - Comb filtering |
MTM 94 |
10MM 190 - The Vocoder |
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MTM 94 |
10MM 189 - Dynamic microphones |
MTM 93 |
10MM 187 - Audio signal levels explained |


















