The Ultimate Guide To Compression. Part 2: Using Compression In Tracking And Mixing

From just four simple parameters, compression opens up a wealth of opportunities for dynamic control in music production. Mark Cousins keeps it pumping…

Audiophile purists might shudder at the thought, but for most musicians and engineers the use of compression appears to be an almost endless love affair. From the beginnings of the production process right through to the finished masters, modern music pumps and squeezes its way through the airwaves to demand our attention – indeed, it’s difficult to conceive popular music, radio, TV and film without the characteristic intensity compression delivers. Acheiving such an exciting sound, however, isn’t a simple one-stop shop (just putting the mix through a TC Finalizer and press Wizard, for example), but instead involves a variety of processors and techniques throughout the duration of a recording.

This feature first appeared in Music Tech Magazine issue 32
Filed under General Features

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