Vocoders
The vocoder is one of the most enduring audio processing effects of all time. Ian Waugh explains how to make it sing. And talk, and dance, and mutter, and play the drums...
Although the human voice is the most versatile and expressive of
instruments, in true creative style musicians still like to change and
modify it. A vocal that sounds in some way different to other vocals
will stand out and attract attention to a recording. One of the first
commercial recordings to feature voice processing was Sparky’s Magic
Pianoreleased by Capitol in 1947. This landmark children’s story is
still available today. It used a device called a Sonovox, which was
mechanical in nature and worked by pressing two small disks to the
performer’s throat. Although it was not a vocoder and it worked in an
entirely different way,the results were similar and many people assume
the result was achieved with a vocoder.
This feature first appeared in Music Tech Magazine issue 07
Filed under
Ten Minute Masters
Sign in to download this article
New users, please register here
See also...
MTM 100 |
Ten Minute Master: Audio Metering |
MTM 96 |
10MM 194 - Sampled string articulations |
|
MTM 96 |
10MM 193 - Notch filtering |
MTM 95 |
10MM 192 - Analogue warmth |
|
MTM 95 |
10MM 191 - Comb filtering |
MTM 94 |
10MM 190 - The Vocoder |
|
MTM 94 |
10MM 189 - Dynamic microphones |
MTM 93 |
10MM 188 - Tape echo |

















