Working as a media composer. Part II: Getting your first piece of work

Last time we looked at how to promote yourself as a media composer. Now, after two weeks of sitting by the phone, you realise nothing is happening. Mike Sheppard explains what to do next…

Having taken to heart my advice from Part 1 of this series on marketing yourself, and being the never-say-die type, you decide to get proactive. You start making follow-up calls and, to your surprise and delight, on call number 55 someone actually remembers your music.

This feature first appeared in Music Tech Magazine issue 02
Filed under General Features

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