Working as a media composer. Part III: Doing The Job And Getting Paid

In the final instalment of this series, Mike Sheppard takes a look at working sync-to-picture, and discusses how to get paid for your work.

In Parts 1 and 2 we looked at what kind of basic studio setup you need and how you promote yourself as a composer; we looked at how to interpret a brief and we also touched on ways of working sync-to-picture, particularly in relation to how this works in our computer-driven age.

This feature first appeared in Music Tech Magazine issue 03
Filed under General Features

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