MTM 103 |
Bob Katz Interviewed
As an engineer, audiophile, developer and educator, Bob Katz’ contribution to the audio world we know today can not be underestimated. MTM finds out more...
|
|
MTM 101 |
Interview: Trevor Horn
A pioneering producer of the 80s, Trevor Horn takes a moment to talk to MTM about the journey from analogue to digital in this magical era for production.
|
MTM 95 |
Interview: Paul Epworth
This award-winning producer has helped everyone from Kate Nash to Florence & The Machine achieve radio and chart success.
|
|
MTM 96 |
Feature - The MTM Interview Youki Yamamoto
This month we delve into a slightly different area of the music industry – music for films – as MTM hooks up with this leading composer of movie scores. Photography by Zen Inoya
|
MTM 96 |
10MM 194 - Sampled string articulations
Sampled string libraries generally offer a good range of articulations, but what exactly are the differences between them? Mark Cousins has the lowdown.
|
|
MTM 95 |
Interview - Paul Epworth
This award-winning producer has helped everyone from Kate Nash to Florence & The Machine achieve radio and chart success. Photography by Zen Inoya
|
MTM 94 |
Interview - Yoad Nevo
From building his own circuits as a boy to working with Sugababes and Goldfrapp and designing Waves plug-ins, this Israeli producer has done it all. Photos by Zen Inoya
|
|
MTM 93 |
Interview - Tom Elmhirst
With a long, varied discography of successful releases, MTM asks this highly acclaimed mix engineer about his experiences over the years.
|
MTM 92 |
Interview: Blame
This man has witnessed the last 20 years in the drum&bass scene first-hand, and is by no means a spent force yet, as MTM finds out... Photography by Zen Inoya
|
|
MTM 92 |
Preparing a live set: learning the basics
The new features in Reason 5 make it an ideal gigging companion, but with a little preparation Reason 4 is still perfectly adequate. Hollin Jones goes live.
|
MTM 33 |
Making It Better
Franz Ferdinand were determined that their second release would sound even better than their first, so they hired Rich Costey to produce it. Here he reveals to Petra Jones the techniques he used to realise their ambitions.
|
|
MTM 32 |
Prodigy Reignited
Prodigy’s latest release coincides with a rejuvenation of the band’s passion for creating hard-hitting music. Mark Cousins catches up with their musical driving force – Liam Howlett.
|
MTM 31 |
Streets Ahead
Kaiser Chiefs producer Stephen Street has a unique and organic approach to making hit records. Phil Ward tracks him down.
|
|
MTM 30 |
Diamonds from coal
Kieran Hebden is further proof that hit LPs aren’t always made in top studios. Mark Cousins discovers how the Four Tet sound is crafted.
|
MTM 29 |
Evolutionary Logic
The signature sound that is Goldfrapp isn’t crafted with state-of-the-art equipment in big-bucks studios, as JoE Silva finds out.
|
|
MTM 28 |
Tears And A Happy Ending
After the studio excesses of the 80s, Tears For Fears chose a more intimate recording experience for their new album. Phil Ward reports.
|
MTM 27 |
A Cut Above
Last year’s biggest-selling
album was born in a modest
project studio in a New York apartment.
Scissor Sister’s Babydaddy tells us how.
|
|
MTM 26 |
Lemon Jelly Interview
’64-’95 reveals a new, sharper taste to the Lemon Jelly sound. We talk to Nick Franglen about the secrets of the Jelly machine.
|
