1616M - Reviews - Music Tech Magazine

E-mu has created an interesting CardBus alternative to FireWire and USB interfaces for laptop users. George Shilling slides it in.

Price: £350.00
Manufacturer: E-mu
Website: http://www.emu.com

E-mu has been marketing PCMCIA interfaces for years, and the recent spate of USB and FireWire rivals seems only to have spurred the company on to better-quality and even more competitively priced CardBus devices. There are good technical reasons for preferring this type of interface: performance is closer to that of PCI interfaces than FireWire or USB, making it easier to compare the MIDI performance of the different device types; while the superiority of PCMCIA in both latency and jitter is obvious. The disadvantages include incompatibility with desktop machines and the often increased production costs. However, the price of E-mu’s latest product is low enough to make it a worthy consideration and it offers plenty of inputs and outputs, as well as unusual features such as a turntable input and onboard DSP. One particularly interesting feature of the 1616m is the deployment of the same converters that Digidesign uses in the HD 192 hardware for Pro Tools.

Score: 9

This review first appeared in Music Tech Magazine issue 33
Filed under Audio Interfaces, Hardware

/mtm/reviews/1616m

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 66	Silent Peaks SPK Isolator	MTM 66	M-Audio BX8a Delux M-Audio has upgraded its active BX8 with newly designed drive units and a waveguide. Huw Price listens in.
MTM 66	AKAI MPC5000 AKAI is the firm behind the legendary MPC series, but how will its new flagship MPC5000 fare? Hollin Jones digs in.	MTM 66	PreSonus Monitor Station Is this the ultimate desktop monitoring and communications system for your recording studio? Huw Price sizes it up.
MTM 66	Audio-Technica M3 Wireless In-Ear Monitoring System In-ear monitors can make life easier for everyone – and AT’s M3 hopes to set new standards. Mike Hillier plugs in.	MTM 66	Allen & Heath Xone:2D Digital DJs are increasingly wanting more hands-on control over their setup. Hollin Jones finds out if the Xone:2D delivers.
MTM 66	Moog Little Phatty Stage II Moog claims that its Little Phatty Stage II is the most accessible Moog synth to date, but can that actually be true? Hollin Jones puts the latest offering through its paces.	MTM 65	Edirol R-09HR Edirol has given its R-09 pocket recorder a high-resolution makeover. Mike Hillier spotlights the changes.

E-mu 1616M

Sign in to download this article

New users, please register here

See also...

Menu