4090 & 4091 - Reviews - Music Tech Magazine

DPA has squeezed its 4061 capsule into a more conventional body to create the 4090 and 4091. Huw Price gets the point.

Price: £346.00
Manufacturer: DPA Microphones
Website: http://www.dpamicrophones.com

The origins of the Danish microphone company DPA date back to the early 1940s, when two young engineers – Per V Brüel and Viggo Kjær – got together to form a new company called Brüel & Kjær (aka B&K). The two men came from an academic background and they were primarily interested in acoustic measurement and calibration technology. The company eventually won a contract to produce its 4160 calibration microphone to replace the various Western Electric designs that had been used in US laboratories throughout the 1940s.

Score: 9

This review first appeared in Music Tech Magazine issue 36
Filed under Hardware, Microphones

/mtm/reviews/4090-4091

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 108	Yamaha 01V96i Review The latest incarnation of Yamaha’s new digital console continues the evolution of the 01V. Mike Hillier takes to the stage.	MTM 107	Unity Audio The Boulder Review Can Unity Audio’s second monitor offering better the success of its first? John Pickford is bowled over...
MTM 106	Event Event 20/20BAS V3 They went largely unnoticed in the UK, but Event’s original 20/20s won a huge following in the US. Huw Price meets the successor.	MTM 106	sE Munro Egg 150 Review sE has partnered with Andy Munro to hatch a new brand of monitor. Are they all they’re cracked up to be? Mike Hillier finds out.
MTM 106	Elektron Octatrack Review Now that computers can do it all, hardware sampling boxes are becoming a rare breed. Liam O’Mullane welcomes its return.	MTM 106	Dramastic Audio Obsidian Stereo Compressor Review Having garnered much praise across the Pond, Dramastic has launched its Obsidian in the UK. John Pickford fires it up.
MTM 106	Propellerhead Balance Review Propellerhead has produced its first audio interface designed to work seamlessly with Reason. Hollin Jones weighs it up.	MTM 108	Aphex Channel Review Bringing among other things that legendary Aphex enhancement is the company’s new Channel. John Pickford tunes in.

DPA Microphones 4090 & 4091

Sign in to download this article

New users, please register here

See also...

Menu