ABSYNTH 5 - Reviews - Music Tech Magazine

Renowned for its distinctive sounds, Absynth is one of NI’s most respected products. Mark Cousins gets intoxicated.

Price: £179.00
Manufacturer: Native Instruments
Website: http://www.native-instruments.com

Absynth is one of the longest-serving members of Native Instruments’ product line-up and one of the few software synthesizers that can deservedly be called a ‘classic’. Although originally written by Brian Clevenger, Absynth has flourished under Native Instruments’ direction, incorporating an everexpanding array of cutting-edge features, including granular synthesis and fractal waveform manipulation to name but two. As a result, Absynth is renowned for its unusual and evocative sound palette and has become a mainstay of film soundtrack and TV composition as well as more experimental forms of dance music.

Score: 10

This review first appeared in Music Tech Magazine issue 80
Filed under Reviews, Software, Synths

/mtm/reviews/absynth-5

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 105	Bettermaker EQ 230P Review Combining analogue and digital technology with great looks and build quality is the EQ 230P. John Pickford sounds it out.	MTM 105	Sonar X1 Producer Expanded Sonar X1 Expanded Cakewalk has again been at work on Sonar, with the latest version getting yet more new features. Hollin Jones tries them out.
MTM 105	PreSonus Studio One 2 Review Can Studio One 2 build on the growing reputation of its well-received predecessor? Keith Gemmell revisits Studio One.	MTM 105	SE Electronics X1R Review Sharing the same body as the X1 condenser, the X1R is SE’s latest passive ribbon mic. Huw Price tests.
MTM 105	PMC PMC DB1S-AII Review PMC has given its highly-regarded DBS-A monitor a makeover. Huw Price assesses the results.	MTM 105	NI/Heavyocity Damage Review With 700+ loops and a range of multisampled drums, is Damage the ultimate cinematic percussion library? Mark Cousins finds out.
MTM 105	PreSonus Studio One 2 Can Studio One 2 build on the growing reputation of its well-received predecessor? Keith Gemmell revisits Studio One.	MTM 104	Propellerhead Reason 6 Review Propellerhead’s much-loved sequencing software has undergone a radical makeover. Hollin Jones finds out what’s new.

Native Instruments ABSYNTH 5

Sign in to download this article

New users, please register here

See also...

Menu