Welcome guest. Click here to log in or register

HomeSubscribeFeaturesReviewsStudio NetForumMagazineFocusStore

 

The magazine for producers, engineers & recording musicians | 23 May 2012


SubscribeBuy issueMore infoBack issues
Advertisement
Advertisement

Apple GarageBand for iPad Review

The GarageBand experience has made it to the iPad – is it a match made in heaven? Hollin Jones finds out.

Price: £2.99
Manufacturer: Apple
Website: http://www.apple.com

Apple GarageBand for iPad

Apple has created a version of GarageBand specially for the iPad to coincide with the release of the iPad 2, but early adopters will be relieved to hear that it also runs just as well on the iPad 1. At a fraction under £3 it’s also ludicrously cheap, something that Apple can get away with because it’s tied to the iPad and so will surely help the company to sell more hardware.

Pad vibrations

Let’s get this out of the way: it doesn’t work in the same way as a computer- based DAW, at least not really. The touch interface and comparatively restricted screen space just don’t allow the juggling of multiple windows. You have to spend a few minutes figuring out how the different sections of the app tie together and how, when you do something in one section, it will be recorded in another. It’s slightly fiddly at first but you soon get used to it and it quickly becomes second nature. On firing up the app you’re presented with a selection of instruments and ways to input data. The keyboard lets you choose from a range of instruments and you can double up onscreen to show more of the keyboard, turn velocity on and off, change the scale and activate sustain, legato and glissando. You can also make the keys narrower or wider to suit the size of your fingers. The velocity action isn’t bad, which is surprising given that there are no moving parts here, and playing chords is possible, if a little tricky. The app does accept MIDI input via the camera connection kit, and for any complex or expressive keyboard playing you’d probably want to do this. There even are some excellent synths onboard with real-time controls for you to play with.

Drums are next, and there are some good kits that you play by tapping on a familiar virtual kit, though controlling velocity is a little hit and miss. The Guitar Amp option provides amps and stompboxes as well as a tuner; the audio recorder does exactly what you might imagine and a sampler accepts audio input then allows you to mangle the results with a decent amount of flexibility. Also of interest are the ‘Smart’ keyboard, bass, drums and guitar modules, which let you play chords with the touch of a button, generate random but intelligent drum parts, and even bend notes convincingly on the guitar and bass.

Making tracks

When you record any of these instruments – along to a click, naturally – the part is placed into a sequencer track and you can have up to eight in total, mixing audio and MIDI. Songs are built in sections and these can be added and lengthened as far as 32 bars, a lot like a traditional step sequencer. It’s quite intuitive, though there is a glaring omission and that’s the inability to edit MIDI notes once recorded. You can overdub drum parts, delete, loop and split all MIDI parts but not alter the notes, which seems like it wouldn’t be that hard to implement technically. Attempting to overdub other parts will result in replacing existing notes. There’s per-track quantization for MIDI, mute and solo for all tracks plus echo and reverb effects.

Band of joy?

Sequencing is actually quite fun in the sense that it limits you far more than a desktop DAW, which can be quite liberating. Having fewer tools to work with does make you think less about fiddling and more about the groove. Some of the synths and bundled instruments actually sound great, especially on headphones, and it’s a powerful sketchpad for all kinds of musicians, even if you’re not likely to write and finish a hit record on it. MTM

8/10 Verdict - A slick app with some limitations but great fun to use and surely the portent of things to come.

WHY BUY

+ Tremendous fun
+ Very cheap
+ Instruments sound great

WALK ON BY

- Can’t edit MIDI notes or velocity once recorded
- Limited range of mixing effects
- No onboard EQ
- Can’t bounce tracks natively

Score: 8

Download the complete review for only £0.99
Click the link above or below, then log in to BT click&buy, confirm your payment and download your file.

Download article   

This review first appeared in Music Tech Magazine issue 99
Filed under Audio Interfaces, Control Surfaces, Reviews

 

Sign in or register to comment on this article

  

Click here if you don't know your password

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:
 
Account settings
*Email address:
Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
Choose a password between 7 and 100 characters in length, without spaces.
Remember me on this computer
 
Your address and contact info
Address 1:
 
Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:
   
 

By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

 

See also...

BFD Eco Review
MTM 111

FXpansion BFD Eco Review
For those who don’t want to go the whole hog and dish out for the full version of BFD 2, BFD Eco brings you many similar features...

  Vertigo VSC-2 Review
MTM 108

Brainworx Vertigo VSC-2 Review
Brainworx’s latest plug-in is modelled on a £3,600 German-built VCA compressor. Mark Cousins finds a head for heights.

01V96i Review
MTM 108

Yamaha 01V96i Review
The latest incarnation of Yamaha’s new digital console continues the evolution of the 01V. Mike Hillier takes to the stage.

  The Boulder Review
MTM 107

Unity Audio The Boulder Review
Can Unity Audio’s second monitor offering better the success of its first? John Pickford is bowled over...

Melodyne Editor 2.0 Review
MTM 107

Celemony Melodyne Editor 2.0 Review
After breaking the mold with DNA technology, what will the latest version of Melodyne bring us? Mark Cousins tunes in.

  MAutoDynamicEq Review
MTM 106

MeldaProduction MAutoDynamicEq Review
Part equalizer, part compressor, MAutoDynamicEq offers a unique take on frequency control. Mark Cousins takes over.

Event 20/20BAS V3
MTM 106

Event Event 20/20BAS V3
They went largely unnoticed in the UK, but Event’s original 20/20s won a huge following in the US. Huw Price meets the successor.

  Egg 150 Review
MTM 106

sE Munro Egg 150 Review
sE has partnered with Andy Munro to hatch a new brand of monitor. Are they all they’re cracked up to be? Mike Hillier finds out.

 


Advertisement