Electro Lab - Reviews - Music Tech Magazine

Electro Lab sets out to provide more control over your MIDI sounds than the hardware itself. Mike Hillier enters the Lab.

Price: £149.00
Manufacturer: MBR Concepts
Website: http://www.mbrtools.com

Part of the reason for MIDI’s longevity – the protocol was first implemented back in 1982 – is that it provides a huge degree of control, enabling you to oversee all manner of instruments and effects in real time. That so many modern instruments and effects still come equipped for MIDI and not a modern successor, such as the high-resolution Open Sound Control, is testament to the freedom and popularity of the MIDI protocol. However, despite being in use for over 25 years, some developers are still finding new ways of using and abusing it. MBR Concepts is one such developer, having created Electro Lab to give musicians and producers even more control over their MIDI-equipped instruments and effects.

Score: 7

This review first appeared in Music Tech Magazine issue 76
Filed under Reviews, Software, Software Effects

/mtm/reviews/electro-lab

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

john dynes - 04 August 2009, 01:59 PM

Hi,
I love your mag and have just recently subscribed to it on a yearly basis.
I also subscribed to SoundOnSound magazine about eight months ago and have not regretted my decision one bit.
However I was under the impression that if i subscribed to your magazine that i would also be entitled to research online any of your archived reviews and articles, though it would appear that i am not able to do this.
Can you please explain why? Why is this not an option, after all i have paid quite a high price for my yearly subscription and I'm not saving a great deal in doing so!
Or maybe i've got it wrong and i've missed something on your site that allows me to do this? Can you clarify?

Regards

JD

MTM 105	Bettermaker EQ 230P Review Combining analogue and digital technology with great looks and build quality is the EQ 230P. John Pickford sounds it out.	MTM 105	Sonar X1 Producer Expanded Sonar X1 Expanded Cakewalk has again been at work on Sonar, with the latest version getting yet more new features. Hollin Jones tries them out.
MTM 105	PreSonus Studio One 2 Review Can Studio One 2 build on the growing reputation of its well-received predecessor? Keith Gemmell revisits Studio One.	MTM 105	SE Electronics X1R Review Sharing the same body as the X1 condenser, the X1R is SE’s latest passive ribbon mic. Huw Price tests.
MTM 105	PMC PMC DB1S-AII Review PMC has given its highly-regarded DBS-A monitor a makeover. Huw Price assesses the results.	MTM 105	NI/Heavyocity Damage Review With 700+ loops and a range of multisampled drums, is Damage the ultimate cinematic percussion library? Mark Cousins finds out.
MTM 105	PreSonus Studio One 2 Can Studio One 2 build on the growing reputation of its well-received predecessor? Keith Gemmell revisits Studio One.	MTM 104	Propellerhead Reason 6 Review Propellerhead’s much-loved sequencing software has undergone a radical makeover. Hollin Jones finds out what’s new.

MBR Concepts Electro Lab

Sign in to download this article

New users, please register here

Comments

See also...

Menu