Welcome guest. Click here to log in or register

HomeSubscribeFeaturesReviewsStudio NetForumMagazineFocusStore

 

The magazine for producers, engineers & recording musicians | 02 September 2010


Advertisement
SubscribeBuy issueMore infoBack issues
Advertisement
Advertisement

Roland Fantom-G8

When Roland’s flagship workstations get a makeover, expectations are inevitably high. Hollin Jones finds out if the Fantom-G still does the business.

Price: £2,599.00
Manufacturer: Roland
Website: http://www.roland.co.uk



Roland’s Fantom series of workstations have a reputation as being among the best in the game, so it was with much anticipation that we received the latest model – the G8. Resplendent in silver brushed metal, The Fantom-G series is the successor to the highly regarded Fantom-X. 

Score: 10

This review first appeared in Music Tech Magazine issue 64
Filed under Home, Hardware, Hardware Instruments, Reviews, Synths

 

Sign in to download this article

/mtm/reviews/fantom-g8

  

Click here if you don't know your password

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:
 
Account settings
*Email address:
Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
Choose a password between 7 and 100 characters in length, without spaces.
Remember me on this computer
 
Your address and contact info
Address 1:
 
Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:
   
 

By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

 

Comments

denis shabanaj - 20 July 2008, 03:07 AM

HH

 

See also...

Studio Answers 86
MTM 86

Studio Answers 86
Whether you’re a seasoned pro or a newcomer to the world of music technology, MTM’s experts are always on hand to help you make the most of the experience…

  Ableton Live 8 Workshop - Audio Clip Aerobics
MTM 86

Ableton Live 8 Workshop - Audio Clip Aerobics
Nothing blows away the cobwebs like a good old workout. Liam O’Mullane shows you how to flex those musical muscles by flipping audio clips on their head.

Record Workshop - Creating Loops
MTM 86

Record Workshop - Creating Loops
Loops are the bedrock of many compositions, so how about making some of your own – whether for sale or just for your library? Hollin Jones explains how.

  Sonar 8.5 Workshop - Beat-making part 2
MTM 86

Sonar 8.5 Workshop - Beat-making part 2
Last month we looked at creating realistic-sounding drum tracks in Sonar. In this second installment, Hollin Jones looks at programming electronic dance beats.

Cubase 5 Workshop - Using AudioWarp
MTM 86

Cubase 5 Workshop - Using AudioWarp
Once, the warping and timestretching of audio was a job for specialist software; now it can all be done within your DAW. Tim Hallas looks at AudioWarp in Cubase.

  Logic Pro 9 Workshop - Extreme Compression
MTM 86

Logic Pro 9 Workshop - Extreme Compression
Logic’s Compressor plug-in can produce a range of extreme compression effects, making your music pump and breathe in a unique way. Mark Cousins gets squashed.

10MM 174 - EQ Types
MTM 86

10MM 174 - EQ Types
From parametric equalisers through to shelving and phase-linear designs, EQ comes in a variety of different shapes and sizes. Mark Cousins finds the right frequency.

  10MM 173 - Surround Sound
MTM 86

10MM 173 - Surround Sound
Most DAWs are capable of producing surround sound, but can we deliver it to the customer? Grant Bridgeman investigates the issues of encoding sound for DVD.

 


Advertisement