Liquid Mix - Reviews - Music Tech Magazine

With over 60 emulations of vintage compressors and equalizers, could Focusrite’s Liquid Mix revolutionise software mixing as we know it? Mark Cousins goes with the flow...

Price: £499.00
Manufacturer: Focusrite
Website: http://www.focusrite.com

Ever since Focusrite released Liquid Channel (reviewed in Issue 23), the world has waited with baited breath to see whether more products featuring the company’s Liquid technology would emerge. What excited people so much about the Liquid Channel was the unique pairing of Focusrite’s proven expertise in mic preamp design coupled with Sintefex’s cutting-edge experiments in dynamic convolution, making the Liquid Channel a real ‘audio chameleon’. Surely, it was only a matter of time before Focusrite released a lite version of Liquid Channel, omitting the preamps (of little use during mixing) and instead focusing on the unit’s talents in the areas of compression and EQ?

Score: 9

This review first appeared in Music Tech Magazine issue 43
Filed under Control Surfaces, Focusrite Novation, Hardware, Hardware Effects, MIDI Controllers / Interfaces, Software Effects

/mtm/reviews/liquid-mix

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 105	Bettermaker EQ 230P Review Combining analogue and digital technology with great looks and build quality is the EQ 230P. John Pickford sounds it out.	MTM 105	SE Electronics X1R Review Sharing the same body as the X1 condenser, the X1R is SE’s latest passive ribbon mic. Huw Price tests.
MTM 105	PMC PMC DB1S-AII Review PMC has given its highly-regarded DBS-A monitor a makeover. Huw Price assesses the results.	MTM 105	NI/Heavyocity Damage Review With 700+ loops and a range of multisampled drums, is Damage the ultimate cinematic percussion library? Mark Cousins finds out.
MTM 105	PreSonus Studio One 2 Can Studio One 2 build on the growing reputation of its well-received predecessor? Keith Gemmell revisits Studio One.	MTM 103	Roland Jupiter 80 Review The Jupiter name brings a lot to live up to, but Roland reckons its new Jupiter-80 has got what it takes. Hollin Jones blasts off...
MTM 104	Steinberg RND Portico Plug-Ins Review One of the biggest names in pro audio has joined forces with Yamaha and Steinberg. Hollin Jones assesses the results.	MTM 104	AnaMod Realios TLCompressor Review With a tungsten lamp for gain control and just two controls, the TLCompressor is an unusual beast. Mark Cousins lights it up.

Focusrite Liquid Mix

Sign in to download this article

New users, please register here

See also...

Menu