Welcome guest. Click here to log in or register

HomeSubscribeFeaturesReviewsStudio NetForumMagazineFocusStore

 

The magazine for producers, engineers & recording musicians | 04 July 2009


Advertisement
SubscribeBuy issueMore infoBack issues
Advertisement
Advertisement

Prism Sound Orpheus

The Orpheus brings mastering-grade D/A and A/D conversion technology to the project studio. Mark Cousins sounds it out.

Price: £3,225.00
Manufacturer: Prism Sound
Website: http://www.prismsound.com



Prism Sound might not be a familiar name to many projects studio owners, but in the world of professional mastering, the company’s audiophile D/A and A/D converters have become an almost compulsory part of the signal path. All the more reason, therefore, to be excited by Orpehus – Prism Sound’s attempt to produce a FireWire interface with the level of performance you’d expect from mastering-grade audio equipment rather than bargain-basement project studio recording. Indeed, following in the footsteps of Apogee’s Ensemble, it seems that high-quality FireWire interfacing is becoming an increasingly important part of the DAW market, but is the Orpheus really that worthy of its £3,225 price tag?  

Score: 9

Download the complete review for only £0.99
Click the link above or below, then log in to BT click&buy, confirm your payment and download your file.

Download article   

This review first appeared in Music Tech Magazine issue 65
Filed under Home, Audio Interfaces, Hardware, Reviews

 

Sign in or register to comment on this article

  

Click here if you don't know your password

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:
 
Account settings
*Email address:
Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
Choose a password between 7 and 100 characters in length, without spaces.
Remember me on this computer
 
Your address and contact info
Address 1:
 
Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:
   
 

By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

 

See also...

Live 7 Workshop - The Arpeggiator
MTM 72

Live 7 Workshop - The Arpeggiator
The arpeggiator is a familiar tool that’s enjoyed practically unparalleled popularity, and its implementation in Live leaves few of its roles unexplored. Jon Margulies dives in.

  Choosing a Computer
MTM 72

Choosing a Computer
Before splashing out on a new computer, be clear about what you need it to do and whether what’s inside it is up to that task. Hollin Jones goes inside the box.

Music to Picture
MTM 72

Music to Picture
Writing music to picture presents a number of creative and technical challenges, but in today’s studio these aren’t insurmountable. Mark Cousins shows you how.

  10MM148 - Subwoofers
MTM 72

10MM148 - Subwoofers
If bass is lacking in your studio, it might be time to invest in a subwoofer. Mark Cousins goes below the surface...

10MM147 - Digital Connections
MTM 72

10MM147 - Digital Connections
Digital interconnects are becoming more common as the technology becomes more readily available – but do you choose AES/EBU or S/PDIF? Grant Bridgeman is in bits...

  10MM146 - Room Correction
MTM 71

10MM146 - Room Correction
Why struggle with egg boxes and bass traps when there’s another way to address acoustic issues? Mark Cousins stands corrected.

Recording Vocals
MTM 71

Recording Vocals
Although it’s a crucial part of recording music, many otherwise successful productions suffer from badly tracked vocals. Hollin Jones explains how a few simple techniques can improve the quality of your tracks.

  Live Recording
MTM 71

Live Recording
With live music growing in popularity, more and more bands and artists need their shows recorded. From basic to top-end techniques, Hollin Jones shows you how it’s done.