Welcome guest. Click here to log in or register

HomeSubscribeFeaturesReviewsStudio NetForumMagazineFocusStore

 

The magazine for producers, engineers & recording musicians | 23 November 2008


SubscribeBuy issueMore infoBack issues
Advertisement
Advertisement

Novation ReMOTE 25

Taking command of your soft synths demands a powerful controller – Mark Jenkins investigates whether Novation deserves an ovation...

Price: £240.00
Manufacturer: Novation
Website: http://www.novationmusic.com

When British instrument designers Novation launched onto the market, it was with a product which made no actual sound of its own – the MM10, an add-on controller keyboard for Yamaha’s tiny QY10 composer/sequencer. But following a long line of successful analogue synth products, it’s now full circle for Novation, whose new ReMOTE 25 itself makes no sound, but was conceived as a controller for the latest generation of sequencers.

Score: 7

This review first appeared in Music Tech Magazine issue 07
Filed under Focusrite Novation, Hardware, MIDI Controllers / Interfaces

 

Sign in to download this article

/mtm/reviews/remote-25

  

Click here if you don't know your password

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:
 
Account settings
*Email address:
Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
Choose a password between 7 and 100 characters in length, without spaces.
Remember me on this computer
 
Your address and contact info
Address 1:
 
Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:
   
 

By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

 

See also...

Xone:4D
MTM 68

Allen & Heath Xone:4D
Allen & Heath has set about updating the company’s flagship mixer. Mike Hillier checks out what’s new in the Xone.

  MR816 CSX/CC121
MTM 68

Steinberg MR816 CSX/CC121
If you want more hands-on control over recording and working in Cubase, Steinberg just might have the answer. Hollin Jones gets familiar with the MR816 and CC121.

UAD-2 Solo
MTM 68

Universal Audio UAD-2 Solo
Universal Audio’s new UAD-2 cards offer a significant speed bump over the original UAD-1 DSP acceleration system. Mark Cousins enjoys the extra juice.

  Moogerfoogers
MTM 67

Moog Moogerfoogers
You can rely on Moog to come up with something special – even when it comes to effects pedals. Hollin Jones plugs in.

Stagepas 250M
MTM 67

Yamaha Stagepas 250M
The newest member of Yamaha’s Stagepas family has finally fled the fold. Mike Hillier monitors its progress.

  4400a
MTM 67

SE Electronics 4400a
On paper, the 4400a has everything required of a go-to studio mic, but does it have the sound? Huw Price sizes it up.

ESU1808
MTM 67

ESI ESU1808
Can ESI’s latest audio interface make a splash in the project studio? Mike Hillier gets acquainted with the ESU1808.

  MM8
MTM 67

Yamaha MM8
If you’re after a flexible entry-level keyboard with real-piano feel, this could be the answer. Hollin Jones unwraps the MM8.

 


Advertisement