Saffire PRO 26 I/O - Reviews - Music Tech Magazine

Focusrite’s latest addition to its Saffire range boasts a wealth of ins and outs. Mark Cousins goes PRO...

Price: £499.00
Manufacturer: Focusrite
Website: http://www.focusrite.com

Having seen two variations of Focusrite’s Saffire series pass through the offices of MTM, we have to admit to being somewhat intrigued by what the latest incarnation had to offer. First, of course, came the original Saffire – a unique interface (by FireWire standards) that combined integral DSP processing, low latency monitoring and a sensible – although not exhaustive – set of inputs and outputs. Then came the Saffire LE, which despite its ‘lite’ tag actually included two extra analogue inputs, but dropped the DSP processing to cater for those who didn’t need to process signals ahead of their DAW. And now we have the Saffire PRO 26 I/O – an attempt to move the interface beyond the realms of desktop recording and into the more demanding world of the multi-channel project studio.

Score: 9

This review first appeared in Music Tech Magazine issue 47
Filed under Audio Interfaces, Focusrite Novation, Hardware

/mtm/reviews/saffire-pro-26-i-o

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 68	Allen & Heath Xone:4D Allen & Heath has set about updating the company’s flagship mixer. Mike Hillier checks out what’s new in the Xone.	MTM 68	Steinberg MR816 CSX/CC121 If you want more hands-on control over recording and working in Cubase, Steinberg just might have the answer. Hollin Jones gets familiar with the MR816 and CC121.
MTM 68	Universal Audio UAD-2 Solo Universal Audio’s new UAD-2 cards offer a significant speed bump over the original UAD-1 DSP acceleration system. Mark Cousins enjoys the extra juice.	MTM 67	Moog Moogerfoogers You can rely on Moog to come up with something special – even when it comes to effects pedals. Hollin Jones plugs in.
MTM 67	Yamaha Stagepas 250M The newest member of Yamaha’s Stagepas family has finally fled the fold. Mike Hillier monitors its progress.	MTM 67	SE Electronics 4400a On paper, the 4400a has everything required of a go-to studio mic, but does it have the sound? Huw Price sizes it up.
MTM 67	ESI ESU1808 Can ESI’s latest audio interface make a splash in the project studio? Mike Hillier gets acquainted with the ESU1808.	MTM 67	Yamaha MM8 If you’re after a flexible entry-level keyboard with real-piano feel, this could be the answer. Hollin Jones unwraps the MM8.

Focusrite Saffire PRO 26 I/O

Sign in to download this article

New users, please register here

See also...

Menu