SCL-1 - Reviews - Music Tech Magazine

CharterOak claims the SCL-1 is one of the most transparent buss compressors available. Mark Cousins investigates.

Price: £2.00
Manufacturer: CharterOak
Website: http://www.charteroakacoustics.com

You need only to look at the variety of different types of compressor to realise that there’s more than one way of controlling the dynamic range of a recording. While some engineers chase after ‘character’ compression, others realise the significant benefits of a transparent compressor – a sonic tool able to massage the dynamics of a recording without imposing a noticeable sonic fingerprint. However, achieving true transparency – without unwanted pumping artefacts, HF reduction and so on – isn’t easy, and transparency often comes with a hefty price tag.

Score: 9

This review first appeared in Music Tech Magazine issue 86
Filed under Home, Hardware, Hardware Effects, Reviews

/mtm/reviews/scl-1

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 103	Harness the power of additive synthesis Additive synthesis hasn’t gained the popularity enjoyed by other forms, but behind its apparent simplicity lies a whole world of innovative sound design. Robert Alan adds it all up.	MTM 103	Bob Katz Interviewed As an engineer, audiophile, developer and educator, Bob Katz’ contribution to the audio world we know today can not be underestimated. MTM finds out more...
MTM 103	Drum Production Masterclass The drum parts of a track are a minefield of potential errors, which will ultimately affect the power and quality of your mixes. Liam O’Mullane offers up tips and tricks for making successful drum tracks each and every time – while not stifling your	MTM 105	Bettermaker EQ 230P Review Combining analogue and digital technology with great looks and build quality is the EQ 230P. John Pickford sounds it out.
MTM 105	Sonar X1 Producer Expanded Sonar X1 Expanded Cakewalk has again been at work on Sonar, with the latest version getting yet more new features. Hollin Jones tries them out.	MTM 105	PreSonus Studio One 2 Review Can Studio One 2 build on the growing reputation of its well-received predecessor? Keith Gemmell revisits Studio One.
MTM 105	SE Electronics X1R Review Sharing the same body as the X1 condenser, the X1R is SE’s latest passive ribbon mic. Huw Price tests.	MTM 105	PMC PMC DB1S-AII Review PMC has given its highly-regarded DBS-A monitor a makeover. Huw Price assesses the results.

CharterOak SCL-1

Sign in to download this article

New users, please register here

See also...

Menu