Welcome guest. Click here to log in or register

HomeSubscribeFeaturesReviewsStudio NetForumMagazineFocusStore

 

The magazine for producers, engineers & recording musicians | 09 January 2009


Advertisement
SubscribeBuy issueMore infoBack issues
Advertisement
Advertisement

Universal Audio UAD-2 Solo

Universal Audio’s new UAD-2 cards offer a significant speed bump over the original UAD-1 DSP acceleration system. Mark Cousins enjoys the extra juice.

Price: £345.00
Manufacturer: Universal Audio
Website: http://www.uaudio.com



When the UAD-1 PCI DSP acceleration card was released in 2001 it would be fair to say that it didn’t create any significant flurry of excitement. At the time, the clear winner in the accelerated plug-in market was TC Electronic’s PowerCore, which ported many of TC’s successful hardware algorithms (from the likes of the Finalizer and M5000 reverb) into plug-in form. By comparison, UA’s
UAD-1 had only a relatively modest collection of plug-ins, although cleverly, Universal Audio had tapped into the notion of modelling vintage hardware products in software form, including the 1176 Limiting Amplifier and LA-2A Levelling Amplifier.



Score: 9

Download the complete review for only £0.99
Click the link above or below, then log in to BT click&buy, confirm your payment and download your file.

Download article   

This review first appeared in Music Tech Magazine issue 68
Filed under Home, Hardware, Hardware Effects, Reviews

 

Sign in or register to comment on this article

  

Click here if you don't know your password

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:
 
Account settings
*Email address:
Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
Choose a password between 7 and 100 characters in length, without spaces.
Remember me on this computer
 
Your address and contact info
Address 1:
 
Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:
   
 

By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

 

See also...

Ten Minute Master 135 - Digital Mics
MTM 66

Ten Minute Master 135 - Digital Mics
If sound is analogue, how can the first link in a signal path be digital? Grant Bridgeman investigates the world of the digital microphone.

  Reason 4 Workshop - ReGroove
MTM 66

Reason 4 Workshop - ReGroove
Give those mechanical-sounding MIDI tracks some natural swing and groove with one of Reason’s lesser-known modules. Hollin Jones puts the ReGroove mixer into gear.

Recording Electric Guitar
MTM 66

Recording Electric Guitar
Recording electric guitar is a challenge faced by many engineers and producers, but it’s easier than you think. Hollin Jones shows you how.

  Trance ID 2
MTM 68

Ueberschall Trance ID 2

Stratos
MTM 68

Big Fish Audio Stratos

  University of Death
MTM 68

Sean McManus University of Death

Analogue Monsters 3
MTM 68

PinkNoise Studio Analogue Monsters 3

  Divinity World Percussion
MTM 68

Big Fish Audio Divinity World Percussion

 


Advertisement