Welcome guest. Click here to log in or register

HomeSubscribeFeaturesReviewsStudio NetForumMagazineFocusStore

 

The magazine for producers, engineers & recording musicians | 07 August 2008


Advertisement
SubscribeBuy issueMore infoBack issues
Advertisement
Advertisement

CME UF8

Every keyboard player deserves the feel of a real piano – even when they’re on the road. Does CME’s latest offering deliver the goods? Hollin Jones finds out.

Price: £430.00
Manufacturer: CME
Website: http://www.arbitermt.co.uk

Wandering around Sounds Expo in London, it’s easy to be dazzled by the multitude of glittering products on display. Sometimes, though, it’s the more unusual ones that catch your eye. And so it was with the new range of MIDI controller keyboards from emerging Chinese manufacturer CME. Clad in an eye-catching red and black retro housing, they come in a variety of keyboard sizes: 49, 61, 76 and 88 keys. The latter is the only one with fully weighted keys, the smaller models being semi-weighted. In other respects, their functionality is almost identical. Like most good controllers these days, the UF8 has both MIDI ports and a USB connection, so it can be used in a number of ways.

Score: 8

This review first appeared in Music Tech Magazine issue 29
Filed under Hardware, MIDI Controllers / Interfaces

 

Sign in to download this article

/mtm/reviews/uf8

  

Click here if you don't know your password

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:
 
Account settings
*Email address:
Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
Choose a password between 7 and 100 characters in length, without spaces.
Remember me on this computer
 
Your address and contact info
Address 1:
 
Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:
   
 

By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers. If you provide phone and post details we may contact you by those means as well with special offers. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

 

See also...

MPD32
MTM 64

AKAI MPD32
Take two boxes into the studio? AKAI thinks not with its new MPD32 pad and control surface, as Hollin Jones discovers…

  Matrix
MTM 64

Solid State Logic Matrix
Solid State Logic’s new Matrix demonstrates a bold new way of looking at the contemporary studio. Mark Cousins finds out if the Matrix is ‘the one’.

SE1000a
MTM 64

SE Electronics SE1000a
The SE1000a has replaced the short-lived Mini as the company’s entry-level condenser. Huw Price tries it out.

  Numa
MTM 64

Fatar Numa
Fatar keyboards are well known for their excellent action, so how will the Numa stack up? Hollin Jones tickles the ivories.

Xenyx 2442FX
MTM 64

Behringer Xenyx 2442FX
The Xenyx 2442FX is Behringer’s new flagship mixer, suitable for both studio and live work. Mike Hillier rides the faders.

  ISA One
MTM 64

Focusrite ISA One
A classic Rupert Neve-designed preamp in a portable package with a fully independent DI channel? Huw Price tries out the ISA One.

R-44
MTM 64

Edirol R-44
Edirol has augmented its portable recorder range with the new R-44. Mike Hillier takes it for a stroll.

  Fantom-G8
MTM 64

Roland Fantom-G8
When Roland’s flagship workstations get a makeover, expectations are inevitably high. Hollin Jones finds out if the Fantom-G still does the business.

 


Advertisement

Advertisement