Ultra Analog Session - Reviews - Music Tech Magazine

AAS introduces an even easier way to access its physical modelling technology. Mark Cousins is in Session...

Manufacturer: Applied Acoustic Systems
Website: http://www.applied-acoustics.com

Many of today’s software synths certainly look impressive, but there can often be significant differences in the power, efficiency and sonic dexterity of their sound engines. Applied Acoustic Systems, however, has built a series of products – from the ground up – based on a thorough and authoritative understanding of physical modelling, from the glorious vintage tones of the Lounge Lizard EP-3 to the top-of-the-range Tassman 4. Ultra Analog VA-1 (released back in 2005) was Applied Acoustic Systems’ response to the ever-increasing demand for virtual analogue synths, and it used physical modelling to generate a rich and diverse set of classic synth sounds.

Score: 7

This review first appeared in Music Tech Magazine issue 44
Filed under Software, Software Effects

/mtm/reviews/ultra-analog-session

New users, please register here

Please enter your details below to set up your new account. Fields marked with a red asterisk * are required.

Your name
*First name:
*Last name:
Job title:
Company:

Account settings
*Email address:
	Please make sure your email address is correct, as we will send you an email with a link to activate your account.
*Username:
	Choose a username between 7 and 100 characters in length, without spaces or unusual characters. You may use your email address as your username, but note that it may appear in community areas of the site where others can see it.
*Password:
*Confirm password:
	Choose a password between 7 and 100 characters in length, without spaces.
	Remember me on this computer

Your address and contact info
Address 1:

Town or city:
County or state:
Postcode or ZIP:
Country:
Telephone:
Fax:
Website:

	By registering to use the Music Tech website you agree to allow us to contact you with our Music Tech email newsletters featuring news, competitions, exclusive content and special offers, as well as with communications from our carefully selected music technology retail and manufacturer partners. If you provide phone and post details we may contact you by those means as well with special offers relating specifically to Music Tech Magazine and our other publications. WE WILL NOT PASS YOUR DETAILS TO ANY THIRD PARTY. If at any time you wish to stop receiving our email newsletter, simply follow the Unsubscribe instruction on our newsletter. Contact us by email of post if you wish your post or phone details to be removed from our database.

MTM 111	FXpansion BFD Eco Review For those who don’t want to go the whole hog and dish out for the full version of BFD 2, BFD Eco brings you many similar features...	MTM 108	Brainworx Vertigo VSC-2 Review Brainworx’s latest plug-in is modelled on a £3,600 German-built VCA compressor. Mark Cousins finds a head for heights.
MTM 107	Celemony Melodyne Editor 2.0 Review After breaking the mold with DNA technology, what will the latest version of Melodyne bring us? Mark Cousins tunes in.	MTM 106	MeldaProduction MAutoDynamicEq Review Part equalizer, part compressor, MAutoDynamicEq offers a unique take on frequency control. Mark Cousins takes over.
MTM 108	u-he Diva Review Virtual synths are everywhere these days, but not all are hugely configurable. Hollin Jones finds out what’s so special about Diva.	MTM 108	Audio Ease Altiverb 7 Review The king of convolution reverbs gets a long-overdue makeover and a host of new features. Mark Cousins spaces out.
MTM 106	iZotope Ozone 5 Advanced Review Can the latest version of Ozone finally take on the big boys of professional mastering? Mark Cousins finds out.	MTM 104	Steinberg RND Portico Plug-Ins Review One of the biggest names in pro audio has joined forces with Yamaha and Steinberg. Hollin Jones assesses the results.

Applied Acoustic Systems Ultra Analog Session

Sign in to download this article

New users, please register here

See also...

Menu