25 Tips For Audio Editing
Audio edits are a vital part of the production process – and mastering them will help you turn imperfect tracks into perfect ones. Hollin Jones reveals the experts’ tips.

Make Dirty Bass in Massive
When producers talk about dirty bass, Massive is the synth that’s mentioned the most. Liam O’Mullane shows you how to create an aggressive bass sound.

Lo-fi Sounds in Logic
It’s time to get nasty! Mark Cousins explores various ways of adding some of the sonic dirt that’s typical of everyone from The Ramones to Justice...

Step-by-step - Sonar X1, The GUI and more...
The latest version of Sonar has undergone a radical makeover, but there’s much more to it than just a new look. Hollin Jones digs deep.

25 Tips for...Cubase 5
Cubase is one of the longest-serving DAWs out there, but even experienced users can still discover new tips and tricks. Hollin Jones reveals its deepest secrets...

Live 8 Workshop - Drum sounds and devices
Understanding Drum Racks is a must for all Live users, but there are certain elements that get better results, faster. Liam O’Mullane shares some tricks.

Logic Pro 9 Workshop - Delay plug-ins Part one: the basics
Unlocking the full potential of Logic’s delay plug-ins can seriously transform the effectiveness of your mixing. Mark Cousins gets delayed.

Guitar Rig 4 Workshop - Using Guitar Rig on synthesizer sounds
Although designed as an amp and effects simulator for guitarists, Guitar Rig 4 can be useful to keyboard players as well. Mike Hillier shows you why...

Cubase 5 Workshop - Extracting MIDI data from audio files
If you’re looking to replace audio with MIDI or to double up an audio part with extra MIDI tracks, Cubase 5 has all the tools you need. Tim Hallas shows you

Login pro 9 Workshop - Synth bass sounds using Logic’s ES2
When it comes to the all-important bottom end of your track, few synths deliver the power and flexibility of the ES2. Mark Cousins goes deep.

25 Tips for...AbletonLive 8
An open-format DAW, Live is easily set up for use as both a live performance and studio tool. Liam O’Mullane shares various working tips for his DAW of choice.

Step by step - Mixing drums Treatments and FX
Often the foundations and drive of a track, ensuring that the drums sit nicely in a mix is a skill made easier if you know your FX. Mike Hillier gets treatment...

Reason 5 Workshop - Kong Drum Designer Part 1: the basics
Reason has always been great at producing beats, but the introduction of Kong took things to a whole new level. Hollin Jones explains how it all works.

Cubase 5 workshop - Working with loops Part 2: using plug-ins
Last time we looked at how to loop material and use it in your tracks – this time we’re exploring more advanced loop-manipulation techniques. Hollin Jones explains.

Ableton Live 8 Workshop - The Bridge Part 2 Enhancing a DJ set
Preparing a DJ set with customised audio is now a seamless and beat-perfect process thanks to The Bridge. Liam O’Mullane makes the connections.

Logic Pro 9 workshop - Secrets of the Piano Roll Editor
Logic’s Piano Roll Editor might be a familiar tool, but its features and functions can seriously transform the composition process. Mark Cousins opens it up.

Step by Step - Creative Sampling
With its new talent for sampling live audio, Reason 5 has become an even more complete production environment. Hollin Jones gets creative.

25 Tips for...Pro Tools
Version 9 of Pro Tools brings a number of relatively minor new functions that will make life much easier. Mike Hillier explores the options.

Logic Pro 9 Workshop - Step by Step: Creating pad sounds with the ES2 synth
From its rich Unison sound to the possibilities of vector synthesis, Logic’s ES2 is the perfect tool for creating pad sounds. Mark Cousins shows you how.

Protools 8 Workshop - Exporting a session: basic preparation
If you want to share the music-making experience with someone far, far away, you’ll need to get your projects out of Pro Tools. Mike Hillier shows you how.

Ableton Live 8 Workshop - The Bridge Part 1: the basics
The divide between DJ and producer has finally been Bridged thanks to a pioneering recent release... Liam O’Mullane helps get you started.

Cubase 5 Workshop - Working with loops Part 1: the basics
Loops are a vital part of the composition process for many people – and Cubase can help you work with them more flexibly. Hollin Jones explains.

25 Tips For...Reason 5
Propellerhead’s flagship software is famously easy to use, but there are plenty of hidden gems to be found beneath the surface. Hollin Jones reveals all.

25 Tips for...Logic Pro
Get under the hood of Apple’s popular software studio and take your workflow to another level. Mark Cousins reveals a few tricks of the trade.

Preparing a live set: learning the basics
The new features in Reason 5 make it an ideal gigging companion, but with a little preparation Reason 4 is still perfectly adequate. Hollin Jones goes live.

Using the built-in pitch-shifting
If you need control over pitch in your Pro Tools project but you don’t have a dedicated plug-in, Elastic Pitch might be the answer. Mike Hillier shows you around.

Cubase built-in Synthesizers
These days, Cubase is equipped for far more than simply recording and editing audio and MIDI – it can provide sounds, too. Tim Hallas is your tour guide...

Ableton Live 8 Workshop - Speedy composition and production
Session and Arrangement View are useful tools for getting quick yet creative results. Liam O’Mullane explains his approach to speedy composition.

Logic Pro 9 workshop - Selective Track Importing
Moving information between projects is now much easier thanks to Logic 9’s selective track importing feature. Mark Cousins shows you how it’s done.

Cubase 5 Workshop - Drum production
Achieving a decent, balanced drum recording is much more than simply a matter of good microphone placement. Tim Hallas gets his processors out

Ableton Live 8 - Overdrive your sound
The Overdrive audio effect is a new inclusion in Live 8 and it can be used to treat a variety of sounds. Liam O’Mullane demonstrates a few examples.

Reason 4 Workshop - Using the Matrix
Making electronic loops and sequences is a big part of what many Reason users do – and the Matrix is perfect for the job. Hollin Jones digs in.

Cubase 5 Workshop - Recording guitar parts
The humble guitar is one of the cornerstones of modern music, cropping up in countless styles of music. Tim Hallas explains how best to capture it in Cubase 5.

Pro Tools 8 Workshop - Resolving latency issues
Pro Tools LE and M-Powered projects can experience problems caused by latency, but, as Mike Hillier explains, there are ways around the various difficulties...

Logic 9 Workshop - Sidechaining in Sculpture
Logic’s Sculpture is an intriguing physical modelling synthesizer with a wealth of unusual tricks up its sleeve. Mark Cousins explores its darkest secret...

Ableton Live 8 Workshop - Recording samples
Audio recording, compiling and rendering isn’t as intuitive in Live as it is in most other DAWs. Liam O’Mullane shows you the best approach to creating samples.

Reason 4 Workshop - Using ReGroove
Rigid, mechanical-sounding MIDI parts are a thing of the past thanks to Reason’s ReGroove mixer. Hollin Jones gets his groove on.

Logic Pro 9 Workshop - Bouncing to disc
Logic’s range of bouncing features offers both practical and creative benefits to your workflow. Mark Cousins takes control.

Cubase 5 Workshop - Working with surround sound
Last month we took some tentative first steps into the world of surround sound. In this instalment, Tim Hallas dives in with some more advanced techniques.

Ableton Live 8 Workshop - Control mapping: get Live & your hardware talking!
You can assign any fader, dial or button to most musical parameters in Live. Liam O’Mullane explains how they work and how to make them work for you.

Reason 4 Workshop - Building custom instruments
Plug-in instruments are all well and good, but wouldn’t it be great to be able to create your own? Luckily, in Reason you can... Hollin Jones explains.

Cubase 5 Workshop - Working with surround sound
The ability to work with surround sound is an essential string to every contemporary producer’s bow. Tim Hallas introduces Cubase’s surround sound capabilities.

Logic Pro 9 Workshop - Working with automation
Using Automation Automation can unlock the true potential of a mix, making your music far more dynamic and interesting to the ear. Mark Cousins takes control.

Logic Pro 9 Workshop - 64-bit operation
Making the transition to 64-bit operation offers many benefits for the Logic Pro user, although it isn’t all plain sailing... Mark Cousins jogs his memory.

Record Workshop - Automating Devices
Automation can really help to give your projects a more professional-sounding finish. Hollin Jones explains how the automation process works in Record.

Ableton Live 8 Workshop - Audio Acrobatics
After some light aerobics last month, it’s time for a full acrobatic workout this time around... Liam O’Mullane shows you how to achieve more energetic results.

Cubase 5 Workshop - Using VariAudio
Jay-Z may have announced the ‘Death Of Auto-Tune’ but pitch correction is alive and well – and available within Cubase. Tim Hallas puts things right...

Ableton Live 8 Workshop - Audio Clip Aerobics
Nothing blows away the cobwebs like a good old workout. Liam O’Mullane shows you how to flex those musical muscles by flipping audio clips on their head.

Record Workshop - Creating Loops
Loops are the bedrock of many compositions, so how about making some of your own – whether for sale or just for your library? Hollin Jones explains how.

Sonar 8.5 Workshop - Beat-making part 2
Last month we looked at creating realistic-sounding drum tracks in Sonar. In this second installment, Hollin Jones looks at programming electronic dance beats.

Cubase 5 Workshop - Using AudioWarp
Once, the warping and timestretching of audio was a job for specialist software; now it can all be done within your DAW. Tim Hallas looks at AudioWarp in Cubase.

Logic Pro 9 Workshop - Extreme Compression
Logic’s Compressor plug-in can produce a range of extreme compression effects, making your music pump and breathe in a unique way. Mark Cousins gets squashed.

Ableton Live 8 Workshop - Building Construction Kits
Sampling and loops are big business. Here, Hollin Jones shows you how a copy of Live and a little imagination can help you get a slice of the pie...

Pro Tools 8 - The Arrange Window
Learn to use the Arrange window in Pro Tools properly and you’ll find your workflow speeding up considerably. Mike Hillier shares some pro wisdom.

Sonar 8.5 Workshop - Beat-making part 1
Rhythm lies at the heart of almost all tracks. In the first instalment of a two-part Workshop, Hollin Jones gets busy making beats in Sonar 8.5.

Cubase 5 Workshop - Time Warping
Nothing to do with dodgy 70s musicals, Time Warp is an invaluable Cubase tool when it comes to combining live and programmed parts. Tim Hallas explains why.

Logic Pro 9 Workshop - Using the Hyper Editor
Logic’s Hyper Editor offers some highly flexible drum programming tools, as well as an innovative way of manipulating controller data. Mark Cousins gets hyperactive…

Cubase 5 Workshop - VI tips and tricks
Virtual instruments are great for saving time and space in your studio, but how do they work in Cubase 5? Hollin Jones finds out.

Logic Pro 9 Workshop - Using the Arpeggiator
Logic’s Arpeggiator is one of the standout features in the Environment and an ideal pairing with the ES2 synthesizer. Mark Cousins takes a new direction.

Ableton Live 8 Workshop - Sharing Projects Pt 2
Moving projects to pro studios for mixing is always a good idea if you have the option to do so. Hollin Jones shows you how to export stems from Live 8.

Record Workshop - Editing audio in Record
Once you’ve captured your audio in Record, you’ll need to edit it to achieve perfect results. Hollin Jones explains how it works.

Protools 8 Workshop - Using DigiRack EQ 3
Pro Tools comes with a powerful EQ plug-in right out of the box that’s more than capable of sorting out many common mixing problems. Mike Hillier shows you how.

Logic Pro 9 Workshop - The Sample Editor
Logic’s Sample Editor offers a range of audio functions, going above and beyond what can be achieved in the Arrange area. Mark Cousins takes a closer look.

Ableton Live 8 Workshop - Sharing Projects (part 1)
There are times when you need to collaborate with other musicians, sometimes over the internet. Hollin Jones shows you how this is possible in Live.

Record Workshop - Pro tips on improving workflow
Fully understanding how Record is structured will help you to work more quickly and efficiently, as Hollin Jones finds out.

Guitar Rig 4 Go Workshop - Getting Started
Guitar Rig 4 Go may not appear to have a massive feature set on paper, but it’s still more than capable of creating some superb sounds. Mike Hillier gets under way.

Pro Tools 8 Workshop - Creating Drones
Atmospheres and textures are commonly used for background ambience in many forms of music – and drones have their place too. Mike Hillier gets creative.

Record Workshop - Creating and using templates
Setting up your DAW for recording can be a tedious business, but by using templates you can dramatically speed up your workflow. Hollin Jones shows you how.

Ableton Live 8 Workshop - Programming beats
Banging beats are the cornerstone of any great track and they can be created in many different ways. Hollin Jones shows you how they work in Live.

SynthEdit 1.1 Workshop - Design awesome-looking skins for your synths
A plug-in that’s visually unappealing or difficult to use isn’t going to make friends in the studio. Daz Disley shows you how to make them look as good as they sound.

Cubase 5 Workshop - How to export your projects
Cubase is an excellent production tool, but sometimes you will need to transfer projects to another system for mixing or other tasks. Hollin Jones gets moving.

Logic Pro 9 Workshop - Converting Regions
Logic’s Convert Regions to New Sampler Track feature heralds a new level of creative freedom between the Arrange area and the EXS24. Mark Cousins is converted.

Synth Edit 1.1 Workshop - Building effects
Building your own effects will not only bring something unique to your productions, but also expand your knowledge of how they work. Daz Disley (whiteLABEL) explains.

Cubase 5 Workshop - Processing guitar
Everyone likes a great guitar sound, but budgets can’t always stretch to dedicated processing gear. Hollin Jones explores the tools you already have in Cubase 5.

Pro Tools 8 Workshop - Keeping control
If you need to transfer your Pro Tools sessions to another DAW, good working practices will help you do it seamlessly. Mike Hillier keeps order.

Logic Pro 9 Workshop - Drum editing
With a new replacement feature and the introduction of Flex Time, drum editing has become one of Logic’s most significant strengths. Mark Cousins gets chopping.

Reason 4 Workshop - Completing tracks
It’s easy enough to play with ideas in Reason, but there comes a point when you have to knuckle down and get your tracks finished. Hollin Jones takes you through the process.

Pro Tools - Using Rewire
Pro Tools is well equipped for creative sound design, but you can massively extend the options open to you by utilising ReWire. Mike Hillier patches in.

Logic Pro 9 - Amp Designer & Pedalboard
Creating a custom guitar sound has never been easier thanks to Logic Pro 9’s Pedalboard and Amp Designer. Mark Cousins takes it up to 11...

SynthEdit 1.1 - Building VST's
Tweaking synth presets is one way of finding a unique sound, but building your own plug-ins is another. Indie developer Daz Disley (whiteLABEL) shows you how.

Ableton Live 8 - External Routing
Incorporating some kind of external hardware into a project can lend your tracks a fresh and unique feel. Hollin Jones explores Live’s external routing features.

Cubase 5 - Midi Editing
Managing and editing MIDI are tasks that recording musicians commonly undertake – and Cubase has everything you need to make them easy. Hollin Jones shows you how.

Reason 4 Workshop - Creative Effect Routing
When you’re looking to create unique and interesting effects, freestyle patching in Reason is the way forward. Hollin Jones makes the connection.

Cubase 5 Workshop - The Key Editor
It appears deceptively simple, but delve beneath the surface and the Key Editor has some very useful tricks up its sleeve. Hollin Jones lifts the lid.

Logic Pro 9 Workshop - Flex Time
The introduction of Flex Time technology in Logic Pro 9 has revolutionised audio editing in a startling and profound way. Mark Cousins limbers up.

Ableton Live 8 Workshop - Working with midi
Live’s not just good with audio, it’s more than adequately equipped to deal with MIDI tracks, too, and offers plenty of creative possibilities. Hollin Jones has the low-down.

Cubase 5 Workshop - Humanise your beats
Beat Designer is the ultimate beat programmer for Cubase – and it’s easier to use, more versatile and more powerful than you might think. Hollin Jones keeps it real.

Logic Pro 8 Workshop - Using Channel EQ
Logic’s Channel EQ plug-in is a supremely versatile equaliser that has a number of unique tricks up its sleeve. Mark Cousins turns up the bass.

Reason 4 Workshop - Live Performance (part 2)
In the second part of our live performance tutorial, Hollin Jones shows you how to configure Reason so that several musicians can use it at once.

Ableton Live 8 Workshop - Clip Envelopes
Envelopes are a powerful tool that can be used to add movement and interest to your clips quickly and easily. Hollin Jones seals it up.

Pro Tools 8 Workshop - Multitrack drum mixing
Speed up the process of getting drums sounding the way you want them with some adept use of aux channels, EQ and compression. Hollin Jones shows you how.

Logic Pro 8 Workshop - Creating IR files
Following last month’s detailed exploration of reverb, we take a closer look at impulse response sampling. Mark Cousins takes in the ambience.

Sonar 8 Workshop - Making ambient tracks
Sonar is as versatile as you are. To prove it, Brian Smithers ventures into the wilds of nature to create an ambient track based on natural sounds.

Ableton Live 8 Workshop - Configuring Live
To get the most out of your software, it’s important that you understand how to best tailor it to your needs. Hollin Jones explains his preferences...

Music Tech Masteclass Vol 1 - Music Production Software
212 pages of software workshops, walkthroughs and reviews from the past 12 months of Music Tech magazine

Reason 4 Workshop - Live performance (part 1)
Reason might be primarily a studio composition tool, but it’s more than adequately equipped for onstage performance, too. Hollin Jones goes live.

Cubase 4.5 Workshop - Working with loops (part 2)
Your loops are the right pitch and length, but how should you manage their groove, swing and feel? Hollin Jones shows you how to take control.

Logic Pro 8 Workshop - Using Reverb
Logic’s reverb plug-ins are essential tools for three-dimensional mixing and can generate a number of interesting spatial effects. Mark Cousins finds his space.

Ableton Live 8 Workshop - Audio Warping
Looping is central to making music in Ableton Live, and the latest version boasts a brand-new warping engine. Hollin Jones gets flexible.

Reason 4 Workshop - Programming Thor
You can never have enough great synth sounds – and Reason’s Thor module means you’ll never run out of ideas. Hollin Jones steals the thunder...

Cubase 4.5 Workshop - working with loops part 1
Loops are an essential part of making music in many genres – and Cubase has some great tools to ensure you a smooth ride. Hollin Jones does the rounds.

Omnisphere Workshop
Unlocking the power of Omnisphere’s STEAM engine reveals its true creative potential as a contemporary software synth. Mark Cousins enters a new ’Sphere.

Logic Pro 8 Workshop - Quantizing
Logic includes a number of powerful features that can improve the timing of both your MIDI and audio regions. Mark Cousins gets in time.

Ableton live 7 Workshop - Getting a Groove
Making your music rhythmically interesting by injecting a little of the human touch is a sure-fire way of engaging the listener. Jon Margulies explains how it’s done.

Logic Pro 8 Workshop - Creative Gate Effects
Logic’s humble Noise Gate is a source of a number of unique and unusual dynamic processing techniques. Mark Cousins joins the sidechain gang.

Native Instruments Workshop - Using B4II
A great Hammond sound can bring a touch of vintage warmth to any track, and Native Instruments’ B4 II is perfect for the job. Hollin Jones goes back in time.

Reason 4 Workshop - Midi Editing Part 2
After clips and notes, it’s time to get to grips with automation – and it’s just as much fun to work with. Hollin Jones gets moving.

Reason 4 Workshop MIDI editing part 1
MIDI is at the heart of Reason, and knowing how to work effectively with it is crucial to making better music. Hollin Jones lifts the lid.

Pro Tools 8 Workshop Sidechain techniques
It’s a technique you will no doubt have heard of, but one that perhaps you have not yet exploited in your own studio. Mike Hillier shows you why you should.

Logic Pro 8 Workshop - Making the most of fades and crossfades
Fades and crossfades are key audio-editing techniques, and with Logic Pro 8 you’re spoilt for choice when it comes to creating them. Mark Cousins fades out.

Cubase 4.1 Workshop - Track types (part 2 of 2)
Quick Controls are a simple but powerful way to improve your workflow and gain more effective control over your projects. Hollin Jones explains.

Reason 4 Workshop - Optimising Reason
Reason 4 is the most powerful version to date, but older machines can struggle with large projects. Hollin Jones shows you how to optimise Reason for maximum performance.

NI Kore 2 Workshop - Getting to grips with Kore 2
Hailed as ‘the next-generation workstation’, Kore 2 is an impressive collection of sounds with a slick interface and integrated hardware control. Mo Volans digs in.

Logic Pro 8 Workshop - EXS24 Parameters
If you know your way around the EXS24’s Parameters window you can transform Logic’s sampler instruments in extreme ways. Mark Cousins pushes the envelope.

Cubase 4.1 Workshop- Media Mgmt Part 1
As systems become increasingly cluttered, knowing how to manage all that audio and MIDI data is vital for efficient workflow. Hollin Jones takes charge.

Cubase 4.1 Workshop - Grouping Channels
Mixing can be a daunting process if you’re working with high track counts, but grouping channels together can simplify things. Hollin Jones gets it all together.

Reason 4 Workshop - Working With Clips
Reason 4 uses clips to manage notes and patterns – and they can help to improve both your workflow and the feel of your tracks. Hollin Jones demonstrates their uses.

Live 7 Workshop - The Arpeggiator
The arpeggiator is a familiar tool that’s enjoyed practically unparalleled popularity, and its implementation in Live leaves few of its roles unexplored. Jon Margulies dives in.

Logic Pro 8 Workshop - processing guitar
Creating a distinctive signature guitar sound in Logic Studio requires more than just Guitar Amp Pro alone. Mark Cousins polishes his axe.

Cubase 4.1 Workshop - Media Management Part 2
The second instalment of our foray into media management explores tagging and presets, both of which are key to achieving better workflow. Hollin Jones explains.

Reason 4 Workshop - Using Your Own Samples
Reason isn’t equipped to record audio, but that doesn’t mean you can’t use your own samples in your next production. Hollin Jones shows you how.

Logic Pro 8 Workshop - Transform Editing
Logic’s Transform window can significantly speed up the processes of editing and manipulating MIDI data. Mark Cousins shows you how to transform your workflow.

Sonar 7 Workshop - Mastering
Mastering gives your tracks that final punch and polish – and Sonar is more than up to the challenges of the task. Brian Smithers helps you master the process.

Reason 4 Workshop - Exploring the mixers
The mixer plays a central role in any studio setup – and Reason’s is as well-equipped as any hardware equivalent. Hollin Jones delves into the virtual desk.

Protools 7.4 Workshop - Groups and Stems
Working with high track counts can rapidly lead to an unwieldy session, but Pro Tools offers ways of keeping things manageable. Mike Hillier shows you how.

Cubase 4.1 Workshop - Fades and Crossfades
If you’re experiencing clicks or glitches in your tracks, Cubase’s flexible fade functionality may hold the solution. Hollin Jones takes control.

Live 7 Workshop - Doing More With Less
If your Live sets are becoming monotonous but you don’t want to use multiple effects, there are several avenues you should explore. Jon Margulies leads the way.

Logic Pro 8 Workshop - Surround Mixing
Transforming a stereo mix to a full 360-degree surround mix is both an intuitive and creative experience in Logic Pro 8. Mark Cousins is surrounded by sound.

Reason 4 Workshop - Acoustic Instruments
Composing in Reason doesn’t limit you to using only electronic sounds – it’s equally adept at handling acoustic instruments. Hollin Jones gets real...

Battery 3 Workshop - Custom Drum Kits
Battery is the perfect tool for building and customising drum kits – and what’s more, it’s remarkably easy to use. Hollin Jones powers up.

Cubase 4.1 Workshop - Beat Matching
If you’re looking to incorporate your own loops or audio material into a project, you’ll find it’s simply a matter of time... Hollin Jones stretches Cubase to the limit.

Logic Pro 8 Workshop - The Multipressor
Logic’s revised Multipressor has a powerful collection of features to control both the dynamics and frequency content of your mix. Mark Cousins finds a new band.

Sonar 7 Workshop - Tracking Tips
Sonar’s abilities extend far beyond the basics of project-studio recording – in fact, it’s more than capable of recording a full band. Brian Smithers goes tracking.

Logic Pro 8 Workshop - Multitrack Drum Editing
The process of editing drum tracks reveals plenty of hidden potential in Logic’s comprehensive suite of production tools. Mark Cousins gets his scissors out.

BFD2 Workshops
BFD2 is immensely powerful drum-production software with a deep set of features and controls plus a hefty manual to boot. Keith Gemmell keeps the beat.

Cubase 4 Workshop - Porgramming Beats
If you’re after classic electronic beats, Cubase is equipped with all the tools you need to program and tweak them. Hollin Jones goes retro.

Pro Tools 7 Workshop - Transfuser Primer
With capabilities far beyond run-of-the-mill beat-making, Transfuser could be just what you need to bring an edge to your tracks. Mike Hillier is your tour guide.

Reason 4 Workshop - Making Soundbanks
Propellerhead supplies the ReFill Packer free to registered Reason users, so making your own soundbanks is a breeze. Hollin Jones shows you how it’s done.

Cubase 4 Workshop - Track Types Part 2
Having focussed on audio, MIDI, Arranger and Folder tracks in last month’s instalment, Hollin Jones turns his attention to Cubase’s remaining track types.

Ableton Live 7 Workshop - Custom Controllers
Tired of using your mouse and keyboard to make fine adjustments to parameters in Live? Jon Margulies shows you how to put old controllers to good use.

Sonar 7 Workshop - MIDI Production
Sonar’s MIDI tools include a flexible step sequencer, customisable edit tools, pitch-to-MIDI conversion and more. Brian Smithers puts it all together.

Reason 4 Workshop - ReGroove
Give those mechanical-sounding MIDI tracks some natural swing and groove with one of Reason’s lesser-known modules. Hollin Jones puts the ReGroove mixer into gear.

Cubase 4 Workshop - Track Types Pt 1
Cubase offers facilities for working with many different types of track, but what exactly do they do? Hollin Jones sheds some light on the matter.

Guitar Rig 3 Workshop
You might think that Guitar Rig is the sole preserve of guitars and basses, but it can be used to great effect on beats as well. Hollin Jones explains.

Cubase 4 Workshop - MIDI Editing
You can do a lot more with MIDI material in Cubase than simply quantizing and looping it. Hollin Jones uncovers some of the app’s lesser-known features.

Logic Pro 8 Workshop - ES2 Synth
Logic’s ES2 is a tremendously versatile synthesizer, offering a wealth of unique features just waiting to be discovered. Mark Cousins gets creative.

Sonar 7 Workshop Mixing Tricks
One of the most exciting new features in the latest version of Sonar is the ability to sidechain effects to achieve a variety of sonic ends. Brian Smithers is your guide.

Reason 4 Workshop - Tempo and time signature automation
Adding speed and time signature changes to tracks can create interest for the listener – and now you can do it in Reason. Hollin Jones explains.

Pro Tools 7 Workshop - Organising Sessions
Any feature or function that makes the processes of recording and mixing less time-consuming demands closer attention... Mike Hillier speeds up his sessions.

Reason 4 Workshop - Multi-Instruments
If you’re tired of your Reason modules, help is at hand. Hollin Jones shows you how the Combinator can breathe new life into your tracks and performances.

Ableton Live 7 Workshop
Knowing how Live handles its Defaults presets can both speed up your workflow and fire your creativity. Jon Margulies shows you around.

Logic Pro 8 Workshop - Compressor
Logic’s Compressor plug-in is a valuable asset for all kinds of mixing tasks, especially now that several new features have been introduced. Mark Cousins makes the squash...

Cubase 4 Workshop - Built-in Instruments
You may have overlooked them, but the latest version of Cubase ships with some seriously useful sound-generating machines. Hollin Jones dives in...

Jupiter-8V Workshop - Galaxy Modulator
The Jupiter-8V re-creates the original 80s classic to near perfection, but a closer look under the hood reveals a whole world of new possibilities, too. Mo Volans goes cosmic...

Reason 4 Workshop - Creative ReDrum
If you want to create your own beats but you’re struggling to find inspiration, Reason’s ReDrum module could save the day. Hollin Jones explains all...

Ableton Live 7 Workshop - Beat Slicing
An endless variety of effects and sounds are at your fingertips if you can exploit the considerable power of Live’s beat-slicing tools. Jon Margulies shows you how...

Cubase 4.1 Workshop: Using the Sample Editor
Redesigned for more logical, efficient workflow, the Sample editor is a vital aspect of editing audio in Cubase 4.1. Hollin Jones finds out what it has to offer...

Logic Pro 8 Workshop: Audio editing
Quick Swipe Comping and Take Folders have revolutionised sound editing in Logic, offering significant improvements to productivity. Mark Cousins gets his scissors out...

Live 7 Workshop: Working with Video
Scoring to picture is attracting an increasing number of musicians and producers, and Live 7 equips you with all the tools for the job. Jon Margulies gets filmic...

Reason 4 Workshop: Sound design using Thor
The latest incarnation of Reason packs a mighty new synth – and it’s the most flexible and powerful instrument in the rack. Hollin Jones thunders in...

Logic Pro 8 Workshop: MainStage
MainStage offers an exciting new twist on performing live with Logic Pro’s instruments and effects. Mark Cousins treads the boards...

Reason 4 Workshop: ReGroove Mixer
If you’re looking to inject that vital human feel into your Reason tracks, help is at hand. Hollin Jones explores the ReGroove mixer...

Pro Tools 7 Workshop: Using Structure Free
The Free version of Digidesign’s Structure plug-in brings powerful sampling capabilities to all Pro Tools users. Mike Hillier is your guide...

Sonar 6 Workshop Working with Video Pt2
Digging deeper into Sonar’s talents for working with video will lead you to some tools and functions you may not have known it possessed. Brian Smithers is your guide...

Logic Pro 8 Workshop Delay Designer
Delay Designer is just one of several new plug-ins to be explored in Logic Studio. Mark Cousins shows you how to master its unique delay-based effects.

Reason 4 Workshop Automation
Automation is a great way to add depth and life to your tracks – and Reason 4 approaches it a whole new way. Hollin Jones explains all...

Ableton Live 6 Workshop Envelopes and Macros
If you sometimes find yourself requiring an extra pair of hands when performing with Live, you might want to explore its envelopes and macros. Jon Margulies explains.

Live 6 Workshop Performance Routing Tricks
Live offers a number of ways of routing audio and effects, many of which can have an immediate and fundamental impact on your music. Jon Margulies explains all...

Pro Tools 7 Workshop Importing Session Data
Pro Tools’ import options are capable of dealing with far more than everyday audio and MIDI files. Mike Hillier delves deeper.

Cubase 4 Workshop Tempo Matching
If you’ve ever had to integrate samples or loops into your projects, you’ll know that tempo matching is one of Cubase’s great strengths. Hollin Jones keeps time...

ACID Pro 6 Workshop Tracking Audio
ACID Pro is renowned for its ability to manipulate and mangle loops, but it can also be put to good use for more traditional tracking tasks. Robert Correll takes notes...

Sonar 6 Workshop Working with Video Pt1
Version 6 of Cakewalk’s Sonar has dedicated tools that make working with video easier and more intuitive than ever. Brian Smithers has the big picture...

Logic Pro 7 Workshop SubBass & Exciter
Do your mixes lack the subsonic depth or crystal-clear highs of a commercial recording? Mark Cousins investigates a Special solution...

Live 6 Workshop Composing with MIDI FX
The inspiration for your next big hit can sometimes be found in the most unlikely of places. Jon Margulies shows you one place to start looking...

Reason 3.0 Workshop Digital Delay
Digital delay is a versatile effect that can be used to achieve anything from subtle mix blending to outrageous dub effects. Hollin Jones shows you how...

Sony Acid Pro Workshop Mixing In 6D
Creating a sense of depth and width in a stereo mix is easily achieved if you can adapt to a new way of thinking. Robert Correll takes six...

Pro Tools 7 Workshop The DigiBase Browser
The DigiBase browser is a powerful search tool that can help you work much more efficiently. Mike Hillier shows you how to find your way around it...

Live 6 Workshop
Keeping your loops varied and interesting is key to keeping your audience entertained. Jon Margulies shows you how Live can help you out...

Cubase 4 Workshop Advanced Automation
Automation can add depth, interest and movement to your tracks, and in Cubase the possibilities run deep. Hollin Jones explains all.

Logic Pro 7 Workshop Multi-Instruments
Confused about how to integrate multi-instruments such as BFD or Logic’s EXS24 into your projects? Mark Cousins clears the air...

Cubase 4 Workshop Improving Workflow
Cubase can look daunting at first sight, but it has plenty of workflow shortcuts that make it more manageable. Hollin Jones explains all...

FL Studio 7 Workshop The Edison Recorder
Audio recording is the cornerstone of practically all music production. Hollin Jones shows you how FL Studio tackles it with Edison.

Pro Tools 7 Workshop Using Automation
In addition to making a mix easier to manage, automation can be used to create some interesting effects. Mike Hillier rides the faders...

Live 6 Workshop Understanding Warping
Live’s approach to warping audio can be exploited to achieve some interesting and creative variations on a basic groove. Jon Margulies shows you how it’s done...

Cubase 4 Workshop Mastering Techniques
Cubase 4 can help you put the finishing touch to your mixes, lending a professional sound to your tracks. Hollin Jones shows you how...

Sonar 6 Workshop Working More Efficiently
Sonar 6 includes several new functions designed to improve your productivity. Brian Smithers shows you how to take advantage of them.

Logic Pro 7 Workshop Using the EVD6
Logic Pro’s EVD6 faithfully re-creates the sound of the Hohner Clavinet, but how do you go about producing a suitably vintage performance? Mark Cousins shows you how to get funky...

Sonar 6 Workshop MIDI Production
Sonar 6 boasts more powerful MIDI functionality than any previous incarnation. Brian Smithers shows you how to maximise its talents.

Reason 3.0 Workshop Advanced Dr.Rex
REX loops are a great tool for producing music in Reason, but there’s more to the Dr.Rex player than meets the eye. Hollin Jones explains all...

FL Studio 7 Workshop
Matching your loops to tracks with different tempos needn’t be a time-consuming task. Hollin Jones shows you how it’s done with the Fruity Slicer.

Pro Tools 7 Workshop The PhaseScope Plug-in
Making use of Digidesgn’s latest plug-in tools will help to keep your mixes in check. Mike Hillier gets in phase.

Cubase 4 Workshop Mastering Foley
Music to picture isn’t the only trick that Cubase 4 can do with video, as Hollin Jones finds out when he explores recording foley...

Live 6 Workshop Using Racks
More than just glorified instrument and effects groups, racks enable you to combine and create new sounds. Jon Margulies explains.

Cubase 4 Workshop: Using Free VST Synths
You don’t need to spend a fortune to use lots of synths in Cubase – in fact, it doesn’t have to cost you a penny... Hollin Jones shows you how to make music on a budget.

Logic Pro 7 Workshop EXS24 Data Management
Effectively managing your EXS24 files will not only improve your system’s efficiency, but also your creativity. Mark Cousins delves into his hard drive...

Cubase 4 Workshop Surround Production
Producing music in surround isn’t a practice that’s restricted to high-end studios. Armed with Cubase 4 and the right speakers, Hollin Jones explains how you too can get in on the act.

Reason 3.0 Workshop Better Bass Lines
You don’t need to be a virtuoso player to program great bass lines in Reason. With a little help from the Matrix, Hollin Jones shows you how...

Sonar 6 Workshop Using AudioSnap
Sonar 6 offers a powerful new groove-manipulation feature that goes by the name AudioSnap. Brian Smithers locks to the beat...

Live 6 Workshop Live Looping
Live excels at looping, but one application for it offers an excellent way of improvising and building up tracks. John von Seggern goes live...

Cubase 4 Workshop Using Modulation Plug-ins
The judicious use of modulation can add depth and life to your productions with the minimum of effort. Hollin Jones shows you how...

Pro Tools Workshop Using Xpand!
Pro Tools 7 users have been gifted with a free new sound module from Digidesign’s Advanced Instrument Research group. Mike Hillier delves into Xpand!

Reason 3.0 Workshop Vintage Keyboards
If you like your keyboards old and dusty, Reason is more than capable of creating the sounds you need. Hollin Jones goes retro.

Cubase 4 Workshop Mastering MediaBay Part 2
If you’re tired of searching through vast samples collections, help is at hand in the form of Cubase 4’s MediaBay. Hollin Jones gets his samples sorted...

The Cure Last Dance
JoE Silva sounds out keyboard veteran Roger O’Donnell.

Ableton Live 6 Workshop Using Scenes
Breathe new life into your performances by mixing and matching elements from your existing sets. Ken Hikaru sets the Scene...

Cubase 4 Workshop MediaBay Part 1
Managing ever-growing collections of samples and presets can be a real headache, but Cubase 4’s MediaBay takes much of the pain out of the process. Hollin Jones has the lowdown...

Reason 3.0 Workshop Remote Control
Setting up your Reason system for live performance with other players may sound complicated, but it’s actually easier than you might think. Hollin Jones shows you how...

Beat Detective
Beat Detective enables Pro Tools users to quickly and easily match the grooves of previously out-of-sync audio files. Mike Hillier steps in line...

Reason 3.0 Workshop Creating A Surround Mix
It is perfectly feasible to mix a track in 5.1 surround using Reason alone. Hollin Jones shows you how it’s done...

10MM94 Impedance
Impedance is a term you’ll inevitably come across if you regularly deal with any kind of studio equipment. Grant Bridgeman explains why resistance is not always futile...

Logic Pro 7 Workshop Creating A Score
Creating a complete score from a MIDI sequence in Logic Pro doesn’t require a degree in music theory. Mark Cousins swaps his manuscript paper for a mouse...

Cubase 4 Workshop Track Presets
The days of building recording setups from scratch for each new project are gone thanks to the introduction of Track Presets in Cubase 4. Hollin Jones explains.

Spectral Gate
Processing in the spectral domain can lead you to a whole new range of sounds and treatments. Mark Cousins finds out what’s possible with Spectral Gate.

Fresh Grooves
Maintaining your audience’s interest is much easier if your beats don’t become monotonous or dull. Ken Hikaru keeps it different...

Sonar 5 Workshop Perfect Space
Sonar 5 Producer Edition includes a new convolution reverb called Perfect Space. Brian Smithers gives you the perfect tour.

Reason 3.0 Workshop Constructing Drum Kits
Tired of using the same old drum kits for your tracks? Build your own from scratch using Reason’s ReDrum and Combinator. Hollin Jones explains...

Cubase SX/SL3 Workshop Play Order Track
Trying out different arrangements of a song in Cubase used to be seriously time-consuming – but that’s not the case in SX/SL3. Hollin Jones explores the Play Order track.

Reason 3.0 Workshop
Incorporating hardware effects into your Reason projects is actually much easier than you might think. Hollin Jones takes it outside...

Cubase SX/SL3 Workshop_Groove Quantize
Does the music you sequence in Cubase lack that human touch? Hollin Jones shows you how to master groove maps and find your way to a better sound...

Logic Pro 7 Workshop
From Kraftwerk to Mirwais, the world of electronic music has embraced the distinctive sound of the vocoder. Mark Cousins explores Logic Pro’s vocoding features.

Sonar 5 Workshop Editing Enhancements
Sonar 5 includes a number of features designed to greatly speed up the editing of audio and MIDI. Brian Smithers guides you down the path to enlightenment.

Cubase SX/SL3 Workshop Audio Record Modes
If you want to record several takes in one go, you don’t have to create separate tracks for each one. Hollin Jones keeps his track count low...

Cubase SX/SL3 Workshop Using External Instruments
Thanks to the external instruments and effects features in Cubase SX3, it’s easy to integrate hardware straight into Cubase’s mixer. Hollin Jones shows you how.

Logic pro 7 Workshop Using The EVB3
Vintage instruments such as the Hammond B3 continue to enjoy popularity and are increasingly being emulated in software. Mark Cousins plays with Logic’s EVB3.

Using Devices In Ableton Live 5
Instruments, MIDI Effects and Audio Effects are all accessed as plug-ins from Live 5’s flexible and easy-to-use Device interface, as Martin Delaney explains...

Sonar 5 Workshop RXP REX Player
Cakewalk’s new RXP DXi soft synth brings the power of REX files to SONAR 5 Producer Edition. Brian Smithers shows you how to wield that power...

Cubase SX/SL3 Workshop Controlling Cubase
Tired of rooting through menus in Cubase? Hollin Jones shows you how to take control of your music software.

Programming Synthesizers Part 2
In Part 2 of our in-depth look at synth programming, Simon Cann explores ways of making custom sounds for use in your own music.

Reason 3.0 Workshop Drum 'n' Bass Beats
Struggling to create pounding, skittering drum‘n’bass beats in Reason? Hollin Jones offers a new approach to a fundamental task.

Cubase SX/SL3 Workshop Offline Process History
With Cubase’s Offline Process History, your audio edits and processing remain editable months after you made them. Hollin Jones keeps his options open...

Logic Pro 7 Workshop Pitch And Time Manipulation
Logic Pro’s pitch- and time-manipulation features just get better and better with each new release... Mark Cousins shows you how to get more from your loops.

Sonar 5 Workshop Pentagon I & Psyn II Synths
Two new analogue modelling synths are at the heart of Sonar 5 Producer’s sonic arsenal. Brian Smithers explores some subtractive synthesis techniques that really add up...

Reason 3.0 Workshop Connectivity
Reason’s seemingly simplistic interface hides some powerful patching capabilities that can open up many creative possibilities. Hollin Jones gets routing...

Cubase SX3 Workshop The Monologue Synthesizer
Hidden beneath the Monologue’s understated interface is a powerful physical modelling synth trying to escape. Hollin Jones speaks out...

Logic Pro 7 Workshop Extreme Audio Editing
If you want to push the boundaries of electronic music production, you’ll have to look beyond the Scissors tool. Mark Cousins unlocks Logic Pro’s hidden glitches...

Cubase SX/SL3 Workshop Dynamic Effects
Get a more professional, balanced sound by making use of Cubase’s excellent built-in dynamic plug-ins. Hollin Jones shows you how.

Ableton Live 5 Workshop Audio Effects
Whether solo or in tandem, Live 5’s built-in audio effects have the power to transform your tracks. Markkus Rovito turns to face the strain.

Sonar 5 Workshop V-Vocal Processing
Sonar 5 Producer Edition leverages Roland’s VariPhrase technology for a new vocal tuning/timing tool called V-Vocal. Brian Smithers gets the lowdown on the new art of deception.

Reason 3.0 Workshop Reason's Built-in Synths
Reason’s synth modules can be used to generate some unique and interesting sounds – once you know your way around them. Hollin Jones explains.

Logic Pro 7 Workshop Creative Sequencing
If you’re tired of conventional methods of writing and sequencing music, it’s time to explore some of Logic Pro 7’s lesser-known MIDI tools. Mark Cousins is your guide.

Cubase SX/SL3 Workshop The Embracer
The Embracer is an accomplished pad synthesizer – but did you know that it’s also ready for surround sound? Hollin Jones goes beyond stereo.

Ableton Live 5 Workshop Beat Repeat
Markkus Rovito shows you how to master a brilliant new effect to remix beats and other audio in real time.

Sonar 4 Workshop Surround Panning
There’s a lot more to panning in 5.1 than the novelty of hearing music swirling around your head... Brian Smithers explores the creative possibilities of surround panning in Sonar 4 Producer.

Cubase SX/SL3 Workshop Managing Projects
With software as advanced as Cubase, keeping track of media can be tricky. Hollin Jones shows you how to use Cubase’s tools to make the job easier.

Reason 3.0 Workshop RV7000 Advanced Reverb
Reverb is an essential part of music production, but in Reason 3.0 there’s more to it than meets the eye. Hollin Jones explains why...

Logic Pro 7 Workshop Sound To Picture
The process of matching sound to picture is challenging, but Logic Pro 7 is well equipped for handling this demanding task. Mark Cousins introduces the Global track...

Ableton Live 5 Workshop Follow Actions
When looping isn’t cutting the mustard and you don’t want to manually launch clips, Live 5’s Follow Actions can not only automate, but also inspire. Markkus Rovito explains.

Cubase SX/SL3 Workshop Customising Cubase
Why spend time juggling windows and settings when Cubase makes customising its interface a breeze? Hollin Jones shows you how.

Cubase SX/SL3 Workshop Automating your Mix
You can add all kinds of interest and depth to your mix by making use of automation. Hollin Jones shows you how.

Pro Tools Workshop Mixing A Guitar Band
When it comes to mixing, a few simple tricks can go a long way to achieving professional-sounding results. Dan Livesey shows you how.

Reason 3.0 Workshop Combinator Tricks
There’s far more to this unassuming new module than initially meets the eye... Hollin Jones gets cracking with the Combinator.

Logic Pro 7 Workshop Customising Logic Pro 7
Customising Logic Pro to be more sympathetic to your working methods will have a positive effect on your productivity and the music you make. Mark Cousins is custom-made.

Logic Pro 7 Workshop Lo-Fi With Guitar Amp Pro
As well as being of clear benefit to guitarists, Guitar Amp Pro is also an excellent choice for lo-fi processing. Mark Cousins gets dirty…

Cubase SX/SL3 Workshop Using The Built-in Plug-ins
Cubase comes with an arsenal of virtual instruments and effects that can greatly enhance the music you make. Hollin Jones plugs in.

Sonar 4 Workshop Integrating With Project5
Cakewalk’s Project5 version 2 can interface with Sonar thanks to the magic of ReWire. Brian Smithers guides you through the best of both worlds.

Logic Pro 7 Workshop Using Ringshifter
Is Logic Pro’s RingShifter capable of more than just Dalek voices and novelty sci-fi effects? Mark Cousins takes a shifty look...

Reason 3.0 Workshop Creating Drum Tracks
Thanks to Reason’s comprehensive drum-programming features, anyone can create great beats. Hollin Jones sets the tempo...

Sonar 4 Workshop External Audio Encoders
If your favourite audio encoder runs from a command-line interface, Sonar 4 can be configured to work alongside it. Brian Smithers shows you how.

Cubase SX/SL3 Workshop Sound to Picture
Composing and recording for picture doesn’t always require the latest studio hardware. Hollin Jones shows you how.

Reason 3.0 Workshop Using Your Own Samples
Reason’s design doesn’t prevent you from recording and using your own sounds in your projects. Hollin Jones shows you how.

Sonar 4 Workshop Freezing Tracks & Synths
Sonar 4 enables automatic Freezing of CPU-draining effects and instruments. Brian Smithers explores its practical and creative uses.

Cubase SX/SL3 Workshop Warping Samples
Tightening up your audio clips and performances in Cubase has never been so easy. Hollin Jones reaches warp speed…

Logic Pro 7 Workshop Modulation In Sculpture
As well as being Logic Pro’s most innovative synth, Sculpture offers some totally new forms of modulation. Mark Cousins goes back to college…

Reason 3.0 Workshop Play Your Reason System
Reason 3.0 gives you unprecedented real-time control over playing your system. Hollin Jones gets his hands on Remote.

Ableton Live 5 Workshop Beat Scrambling
Among Live’s many compelling features are clip envelopes, which breathe new life into stale loops. Markkus Rovito goes beat-mangling.

Cubase SX/SL3 Workshop Getting Creative With MIDI
Even people who don’t play keyboards need to use MIDI to make music. Luckily, as Hollin Jones finds out, Cubase has a wealth of features to help you along…

Sonar 4 Workshop Track Folders
Editing multi-mic’ed drums in Sonar used to be as hard as herding cats, but version 4’s Track Folders changed all that. Brian Smithers tries a new approach.

Pro Tools Workshop The Warp Sound
Taking a process based approach to composition can yield some interesting and innovative results – and might just take your music in a new direction. Dan Livesey gets creative.

Logic Pro 7 Workshop The EFM1 Synthesizer
The hidden gem of the recent version 7 upgrade, Mark Cousins explores the digital delights of the EFM 1 and FM synthesis.

Logic Pro 7 Workshop Surround Sound
Free yourself from the restrictions of stereo’s two dimensions and enter the exciting world of surround sound. Mark Cousins shows you what you can do in Logic Pro 7.

Sonar 4 Workshop SurroundBridge Linker
Brian Smithers demonstrates how you can use your favourite mono and stereo plug-ins in 5.1

Cubase SX/SL3 Workshop Remixing
Some of the most interesting music heard today is created by re-interpreting existing tracks. Hollin Jones gets remixing in Cubase...

Reason 3.0 Workshop Beyond Electronic Music
While it’s frequently used to make electronic music, Reason is more than capable of carrying off other styles. Hollin Jones shows you how...

Pro Tools 6 LE Workshop Location Recording
Pro Tools represents a simple and efficient way of recording on location – but it’s when you get the raw material back to your studio that its editing capabilities come into their own.

Using external effects in Cubase SX3
Bridging the gap between software and hardware in your Cubase studio just got a whole lot easier, as Hollin Jones explains.

Audio editing in Sonar 4
Cakewalk’s Sonar 4 is packed with new tools for editing multiple audio clips into a polished composite. Brian Smithers gets you slicing and dicing.

Mastering with WaveBurner in Logic Pro 7
With Logic Pro 7 now including WaveBurner, the mastering process can finally be performed within Logic itself. Mark Cousins gets out his little red book.

Creating drum kits in Ultrabeat
Ultrabeat includes some basic preset kits, but the real joy of using this contemporary rhythm box lies in creating your own. Dan Livesey steps to the beat.

Using the Play Order track in Cubase SX/SL3
Once a poor relation to hardware processors, software reverb now leads the way in the range and quality of treatments available. Mark Cousins finds a bigger space...

Advanced drum production in Pro Tools 6 LE
Multi-band processing has revolutionised mastering techniques and defined the sound of modern radio and pop music. Mark Cousins explains why three bands are better than one.

Audio restoration in Cubase SX/SL2
The world’s top studios still offer analogue recording facilities. Keith Gemmell looks into the advantages and disadvantages of recording the old-fashioned way.

Sculpture for beginners
Sculpture takes advantage of a new method of synthesis that promises exciting sound-design possibilities. Andrew Taylor-Maskrey digs in.

Using the Matrix Pattern Sequencer in Reason
Reason’s Matrix Pattern Sequencer is often overlooked, but it provides a great way of extending the sequencing capabilities of your software. Hollin Jones shows you how.

Composing with MIDI in Sonar 3/4
Cakewalk’s MIDI effects turn Sonar 4 into the composer’s ultimate toolkit. Brian Smithers shows you how to make the most of them.

Using the Project browser in Cubase SX/SL 2
There’s more than one way to navigate your sessions in Cubase... Hollin Jones gets to grips with the Project browser.

Putting sound to picture in Pro tools LE
Accompanying your video footage with a soundtrack doesn’t necessarily require high-end, dedicated software – as Andrew Taylor-Maskrey demonstrates.

Sampled IR Files in Logic Pro 6
Creating you own sampled IR files in Space Designer unlocks the true potential of this intriguing convolution processor. Mark Cousins gets spaced out…

Advanced SXS24 tricks in Logic Pro 6
The EXS24 is a powerful and versatile creative tool. Dan Livesey takes a closer look at Logic’s top-end sampler.

Using Drum Maps in Sonar 4
Cakewalk’s Sonar 4 enables you to assemble a virtual drum kit using the best of your synths. Brian Smithers shows you how to put it all together.

Recording in Reason
When making music with Reason, there’s more than one way to get your ideas down. Hollin Jones shows you how…

Using Tempo Tracks in Cubase SX/SL 2
To create natural-sounding time changes in Cubase you need a Tempo Track. Hollin Jones leads the way...

Using the Pool in Cubase SX/SL 2.0
If managing your audio files in Cubase seems like excessively hard work, just dip into the Pool for a helping hand... Hollin Jones shows you how.

Creative use of sidechains in Logic Pro 6
Logic’s versatile routing capabilities extends to its implementation of sidechains. Andrew Taylor-Maskrey takes a closer look...

Using MIDI in Pro Tools
Pro Tools is a competent MIDI sequencer as well as a hard disk recording system. Dan Livesey investigates further...

Using MIDI effects in Cubase SX/SL 2.0
MIDI effects often play second fiddle to bigger and shinier audio plug-ins – but they’re just as useful. Hollin Jones shows you why.

Using Space Designer in Logic Pro 6
Synthesised Impulse Responses make Space Designer one of the most flexible convolving reverbs available. Marks Cousins gets creative...

Managing sounds in Reason 2.5
If you’ve ever felt like you’re losing control of your sound libraries, you’ll understand the need to manage them. Hollin Jones does it in Reason.

Customising Cubase SX/SL 2.0
Don’t let your software dictate how you work – customise it. Hollin Jones shows you how to personalise Cubase SX/SL 2.0...

Logic's Distortion effects
Distortion is a versatile and creative effect. Dan Livesey looks at some of the sound-mangling tools found in Logic.

Pro Tools' Bomb Factory plug-ins
Digidesign’s free Bomb Factory plug-ins add a vintage quality to almost any production. Mark Cousins gets re-acquainted with some old friends…

Audio fades in Cubase SX/SL 2.0
When getting into serious editing, being thoroughly familiar with crossfading audio is essential. Hollin Jones looks at how to do it in Cubase.

Vocoding with Logic Pro 6's EVOC20
Power, flexibility and automation capabilities make the EVOC20 a versatile tool for crafting your sounds. Andrew Taylor-Maskrey takes a closer look.

Optimising Reason 2.5
Sooner or later we all start to run out of processing power. Hollin Jones shows you how to optimise your system and Reason 2.5 for maximum performance.

Using markers in Cubase SX/SL 2.0
Navigating complex arrangements in Cubase can be a frustrating experience. Hollin Jones shows you how to make your life easier by using markers.

Vector Synthesis with Logic Pro 6’s ES2
The ES2 packs some powerful punches, the best of these being vector synthesis. Mark Cousins takes a look at the ultimate modulation tool.

Editing and mixing drums in Pro Tools
So the tracking session went well – now it’s time to start cleaning up your takes. Andrew Taylor-Maskrey takes a look at editing and mixing drums.

ReWiring Sonar 3 and Reason 2.5
Whether you’re looking for new sounds or syncing up an old jam, ReWiring your studio software can open up worlds of power on a single computer. Dave Hill Jr. explains how…

Using the mixer in Cubase SX/SL 2.0
The latest versions of Cubase have more advanced mixers than ever before. Hollin Jones shows you how to avoid getting mixed up…

Creative sampling with Logic Pro 6's EXS24
A sampler is an essential piece of studio equipment. Dan Livesey takes a look at a contemporary incarnation of the technology – Logic Pro 6’s EXS24.

Creative template songs in Reason 2.5
Reason is ideal for live performance, studio work or just noting down ideas. Hollin Jones shows you how to speed up your workflow with template songs.

The Freeze function in Cubase SX/SL 2.0
Running out of processing power for your Cubase projects? Hollin Jones shows you how the new Freeze feature in SX/SL 2.0 can save your bacon…

More secrets of Logic's Arrange page
This month, Andrew Taylor-Maskrey completes his look at customising the look and operation of the Arrange page.

Creative routing with Pro Tools' RTAS plug-ins
Pro Tools’ open approach to audio routing and processing offers many creative opportunities. Dan Livesey takes a look at the RTAS plug-ins.

Building a classic analogue synth in Tassman 4 Free
Fancy building your very own synthesizer from scratch? Keith Gemmell shows you how with Tassman 4 Free.

Cubase SX/SL 2.0's new Record modes
Cubase’s new Record modes make getting down the perfect take a breeze. Hollin Jones looks at how creative recording in Cubase just got easier.

Software synthesis in Logic
Using Logic’s simple, but effective, built-in synthesizers, Dan Livesey guides you through a ‘back-to-basics’ approach to software synthesis.

REX loops in Reason 2.5
You may have used REX loops without fully understanding the creative potential they offer. Hollin Jones looks at Reason’s own REX loop player.

Using soft synths in Sonar 3
Sonar 3 is Cakewalk’s flagship MIDI and multitrack audio application. Here Dave Hill Jr. explains how to make tracks with its DXi software-based instruments.

Using the Sample Editor in Cubase SX/SL
Hollin Jones looks at how you can use Cubase SX/SL to manipulate and edit your audio files at sample level.

Automation in Logic
Logic offers a number of different approaches to automation. Mark Cousins explores the ease with which these can be incorporated into the production process.

Using D-Verb in Pro Tools
It might be showing its age a little, but as Mark Cousins explains, D-Verb can still be used to produce some great creative reverb effects.

Automation in Reason 2.5
Reason’s toolbox includes comprehensive automation controls. Hollin Jones looks at how to give your tracks an added dimension.

Video tracks in Cubase SX/SL v1 & v2
Cubase now supports the playback and editing of multiple video formats. Hollin Jones looks at how to compose music to picture.

Dynamics processing in logic
Have a look at Logic’s Dynamics plug-ins and you’ll find they include plenty of useful tools. Andrew Taylor-Maskrey offers an introduction to some of the automatic gain controls.

Reason 2.5's Scream 4, Unison and Splitters
Where Reason 2 brought new instruments, Reason 2.5 brings new effects modules. Hollin Jones completes our look at the new features.

Groove Clip looping in Sonar 3
Sonar 3 has the potential to send you loopy! Steve Williamson explains how it can open up a whole new approach to creating music.

Exporting audio mixdowns in Cubase SX/SL
When you’ve finished recording, editing and mixing, you’ll need to get your music onto an alternative medium for playing and duplication. Hollin Jones shows you how.

Getting to grips with Ableton Live 3
The version 3 release of Ableton’s Live software includes some interesting new features. Shawn Balm tells us how to use them.

Using Logic's modulation plug-ins
Tired of lifeless synth sounds? Then why not use Logic’s modulation plug-ins for a little extra body and plenty of movement. Mark Cousins explains how.

Getting creative with delays in Pro Tools
How do you make the most of your free plug-ins? Andrew Taylor-Maskrey takes a look at some creative techniques with Pro Tools’ delay plug-ins.

Getting to grips with VirSyn microTERA
With winter here what better way to wile away those long, dark evenings than honing your synthesis skills, Pete Crisp goes modular with VirSyn’s microTERA.

Time stretching in Cubase SX/SL
This month Hollin Jones looks at how Cubase’s Time Stretch function can help you to incorporate diverse samples into your music.

EQ and filtering in Logic
Two of the most widely used functions are EQ and Filtering. Dan Livesey explains how they’re implemented in Logic.

Reason 2.5's RV7000 Advanced Reverb
Reason 2.5’s new RV7000 Advanced Reverb is full of impressive sounds and easy-to-use functions. Adi Winman looks at how to get the best out of it.

Using audio processing and functions in Cubase SX/SL
In his second tutorial on audio processing, Hollin Jones explores some of Cubase’s lesser-known mastering functions.

Logic's Quantize functions
There’s more to quantization than simply getting things in time. Andrew Taylor-Maskrey explores the possibilities...

Working with vocals in Pro Tools LE
Getting vocals to sound just right can be a challenge. Dan Livesey looks at some techniques to help you get closer to that perfect sound...

Designing software instruments in Reaktor 4
Since its initial release, Reaktor has remained one of the most versatile soft synths on the market. Barry Moon does DIY with the latest version.

Mastering In Cubase SX/SL And VST
Mastering tools are no longer the preserve of high-end studios. Hollin Joneslooks at what Cubase SX/SL and VST have to offer.

Secrets Of Logic's Arrange Page
There’s far more to Logic’s Arrange window than meets the eye. Here Mark Cousins explores ideas relevant to novice and pro users alike.

Reason 2.5’s BV512 Digital Vocoder
One of the exciting new effects units in the latest release of Reason is the BV512 Digital Vocoder. Adi Winman looks at how to get to grips with it.

Composition and Automation in FL Studio
FL Studio is the latest incarnation of Fruityloops, and here Paul Wallis looks at creating automated arrangements using its FL Score files and Automation functions.

Using Audio Processing and Functions in Cubase SX/SL
Hollin Jones shows you how to use Cubase SX/SL to process multiple audio effects and still leave your CPU ticking over at a healthy level.

Using logic's MIDI editors
Logic is a powerful MIDI sequencer as well as an audio recording tool. Dan Livesey goes back to his MIDI roots and takes a closer look…

Reason's Malström Graintable synth
This marvellous instrument offers the opportunity to manipulate waveforms and audio in exciting and bizarre ways. Adi Winman explains how…

Sub-mixing, bussing and side-chaining in Pro Tools
Joe Green looks at Pro Tools’ internal routing facilities for moving sound around tracks and auxiliary inputs, adding effects loops and sub-mixes.

Using VST instruments in Cubase SX and SL
VST instruments can help increase the scope of your music-making. Hollin Jones looks at how virtual instruments can expand your studio setup without filling up your studio.

An introduction to Environments in Logic
Don’t be daunted by Logic’s Environment page, there are just a few simple connections to grasp and plenty of functional and musical possibilities, as Mark Cousins explains.

Setting up Project5
In our first Project5 tutorial Ben Gerrold explains how to run through the initial configuration procedure and get yourself set up to start producing music.

Using Reason's DrRex loop player
Reason’s DrRex loop player offers the opportunity to manipulate audio in creative and exciting ways. Adi Winman shows you how.

Setting up and mixing drums in Reason
Reason enables you to create and manipulate many drum sounds, but how do you set ‘em up and mix ‘em so they sound ‘phat’? Adi Winman looks at the possibilities.

Offline editing in Logic Audio. Part Two.
In the second instalment of this two-parter, Andrew Taylor-Maskrey offers an introduction to some of the possibilities offered by Logic Audio’s Digital Factory.

Synchronising Cubase SX/SL & Reason 2 using ReWire
ReWire enables integration of leading digital audio software. Here Hollin Jones looks at how to combine Reason’s virtual studio with the audio processing capabilities of Cubase.

Using Automation in Pro Tools
Pro Tools offers a high degree of automation. Joe Green shows you how to create the witchcraft of faders and plug-ins moving on their own.

Using VST effects in Cubase SX and SL
VST effects are an established feature of Cubase. Here Hollin Jones looks at how they work in SX and SL and how they can help to add depth and interest to your tracks.

Creative use of effects in Reason 2
Reason contains a host of cool effects that can be used creatively to help liven up your tunes. Adi Winman looks at how Reason 2 can add that little touch of ‘fairy dust’ to your mix.

Offline editing in Logic Audio. Part One.
In the first of a two-parter, Dan Livesey takes a closer look at some of the more creative aspects of audio and file management.

Using Logic's AutoFilter plug-in
Filters work best when they’re being modulated in some way, and automating those filter movements can make the results even more intriguing, as Mark Cousins explains.

Using Automation in Cubase SX and SL
The new versions of Cubase offer dramatically improved parameter and mix automation features. Here Hollin Jones shows you how to use some of the newest additions.

Digital noise reduction in Pro Tools LE
Digital clicks, pops and crackles are the bane of any recording. This month Joe Green looks at how to remove noise from an audio track using Pro Tools LE.

Using Logic's delay effects
Logic is known for its vast array of plug-ins, and among the most flexible are its delay-based effects. Here we take you through some of their more intriguing aspects.

Groove extraction using Hitpoints in Cubase SX
Cubase SX introduces Hitpoints to the mix. Karl Hodge takes you on a time-stretching tour of this major feature.